Lighting equipment recommendations for still life

[welly]

I'm interested in doing some still life photography. I've been trying (with my digital camera) to set up some lighting situations but unfortunately the desk lamps I'm using really aren't that suitable! I was wondering if anyone can recommend some lighting equipment and a bit of advice on getting started with this.

I've done some work in the past with Nikon speedlights with models, with some reasonable results but money won't fund a bunch of those again with remote triggers etc.! I'm looking for some DIY/budget ideas (if this might suffice?) that any of you may have!

Cheers,

Welly

[ataim]

I use our bay window that faces west. With the afternoon sun I can open or close the blinds on three sides of the subject.

[Otto Seaman]

One constant light, whether the sun or a bulb. A grow light or work light will suffice. A light stand is nice but you can also clip lights to other objects.

Some diffusion material. If you are using a hot light then be cautious of fire hazards. A theatrical supply will stock several kinds of fire-retardant products if you don't want to use a real photography supplier. Of course lots of people use white sheets and tracing paper but be careful!

Tinfoil, mirrors, and foamcore make great reflectors, also don't forget that black cards can subtract light.

Keep it real simple. If you are working in B&W then you need not worry about mixing color temperatures or having the diffusion shift color too much. If you are trying to control color then you need to be very consistent with the color temperatures of your sources and diffusion.

Most people keep their lights too far away from their subject, get them in closer, just outside the frame.

It's hard to beat an overcast day for most things ;-p

[Dan Quan]

A lighting set-up for what style, with what recording equipment? All digital is potentially much easier than analog. I have been having success with Fenix AA LED flashlights and fun foam snoots mounted on Fenix bicycle mounts on Bogen HD flex arms on Manfrotto stands. But, have additional charged batteries standing by and pay attention to individual light outputs.

[Michael E]

Think about the desired light quality first: Soft light, hard shadows, brilliant backlit highlights, north window light - what are you going for? Analyze images (from books or magazines) that have a similar light or mood. What is the direction of the light? What was the size of the light? How many lights were used? You can tell a lot from the shadows, and sometimes reflections can give away details of the setup.

As for equipment, I would start with two or three lights, a white umbrella, and a few pieces of white and black cardboard.

Michael

[arca andy]

Hiring is a good way to find out what sort of lights and lighting may suit you. Have you got any photo stores that hire equipment near you?

[Drew Bedo]

I use our dining room window which faces south. A reflector fills in the shadows.


I have also used inexpensive hardware store clamp-on lights with 100 or200 Watt bulbs when shooting B&W.

I have also used three Vivitar 283 strobes on cords for color transparencies.

For light modification: It is amazing what can be done with trash bags, cardboard and gaffer's tape.

[Ari]

Hardware stores stock all manner of lights, I have two 250W lamps that cost about $20.
I rigged them up to my ceiling, used a bracket to hold a shoot-through umbrella in place, and taped aluminum foil to some cardboard strips as reflectors.
The whole set-up works well for product shots, and I can easily switch between white and black backgrounds since the table is only about 50cm x 50cm.

[Cletus]

Welly - I'm sure you don't want to spend thousands on lighting, but a couple 650W fresnels and a few various diffusers and modifiers will go a LONG way toward lighting anything you might think of (short of a semi truck or a small ship). If you look on Ebay, "AS Arri" Chinese fresnels are VERY similar to the real-deal high-dollar Arris for about 1/3 the moolah. Look around You Tube and you can find a little about AS Arri there and a couple good reviews.

If I hadn't got such a great deal on my minty pair of discontinued Lowel Fren-L 650s, I would have jumped on a set of AS Arris for sure. Add to that a set of scrims and a 48x48 Full Cloth Chimera frame or two and you'll be able to light 80% or more of your standard small still life stuff. IMO.

[bob carnie]

I have been using the lowenpro hot light system and really like it.

[Drew Bedo]

I've done some work in the past with Nikon speedlights with models, with some reasonable results but money won't fund a bunch of those again with remote triggers etc.! I'm looking for some DIY/budget ideas (if this might suffice?) that any of you may have!

Welly[/QUOTE]

Welly:

I re-read your OP now. There are Vivitar strobes on e-bay for <$20. Sure they are OLD but for that money, if you get one that doesn't work well you can toss it. PC cords are fussier than triggers but much cheaper.

Most photographers wish they had different equipment or additional gear. Get what lights you can and make the best images you can with them. You can always grow your kit.


The important thing is to get on it and shoo!

[welly]

Thank you all for your suggestions. I completely forgot I posted this. Some very useful information here and when I get back to the UK I shall try out some of your ideas.

[John Kasaian]

I had two medium Photoflex soft boxes, a silver on one side, gold on the other reflector and back drop. Between that and a nice window it was all I could ask for(now I've just got the window.:rolleyes:)