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View Full Version : Darkroom: Film, Processing & Printing



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  1. Old Film - Color Correction - RDP-I
  2. Unicolor drum Gitzo tripod and paper toning
  3. PF Forma Flo
  4. Tray development of old HP5+ negs in XTOL: recommendations?
  5. 11x14 color negative film availability
  6. Outdated film....Facts please
  7. Changing the speed on Beseler/Unicolor motor bases?
  8. Choosing a large format film medium
  9. Fuji CDU
  10. Anemic Print Paper
  11. Polaroid type 55 films -'V' Defect.
  12. What's you favourite developer for FP4+
  13. New HP5+
  14. Weird spotting on sheet Tri-X
  15. Agfa RSX II definitely gone
  16. Another New HP5+ Question
  17. Developing times for Fuji Acros film with rollo Pyro?
  18. TMax 100 and TMax R developer
  19. ID-11 vs Perceptol with 100 Delta Professional?
  20. Weird spotting on Tri-X-Part II
  21. Jobo
  22. Resolution of photopaper
  23. Is anyone processing Astia 100F & Velvia 100F with Tetenal E-6 and Jobo CPP-2?
  24. Velvia 50 revisited
  25. Unusual Request
  26. Velvia Acros prices
  27. Ziatypes
  28. Real Cool Prints
  29. hp5 plus processing question
  30. Efke PL 100 5x7 film
  31. Ilford Delta 100 + DD-X Developer
  32. Negative Contrast for Pt/Pd printing
  33. 11x14 Slide film
  34. fuji acros + TMax RS
  35. E6 on a budget.
  36. salt printing as practise for platinum/palladium
  37. What is the finest-grained LF color negative film?
  38. which is finer grained: the best B&W film, or the best transparency film?
  39. Where can I get Phenisol?
  40. Making Internegs
  41. JandC Classic Film 400 vs. 200
  42. Lambda printing/ What magnification possible?
  43. How to Store Exposed Film Before Processing?
  44. Jobo ATL 2000
  45. Frame Spacing issues with older Linhof Rollex backs
  46. Omega Enlarger or Digital Printer
  47. Brush Agitation Developing 11x14
  48. Clean a 4x5 negative carrier with anti-Newton ring glass
  49. Varicon RC Printing Paper
  50. print washes
  51. Is anyone using a respirator?
  52. Pyrocat versus PMK Pyro ?
  53. What is AZO and where kin I find info about it.
  54. Anything missing from my survey of 4x5 pan neg films?
  55. Zone VI cold light
  56. Zone System Question - Help Me Out
  57. developing times
  58. Chemical storage / pyro, 130, etc.
  59. Developing Kodak Plus-X in trays, suggestions please
  60. Ilford papers
  61. Sources of AZO?
  62. Batch printing and consistency
  63. Polaroid type 52 vs 54
  64. Pyrocat-HD questions
  65. ULF dupes of 4x5
  66. Clearing agent for Type 55?
  67. Panatomic-x characteristic
  68. J&C Classic 200 in F09/R09, developing times
  69. For inquisitive minds only
  70. Polaroid type 55
  71. Platinum Prints
  72. Semi Stand development with Pyrocat
  73. Zone vi compensating development timer
  74. *%&** pinholes
  75. Pyrocat HD
  76. Pyro and the newbie.
  77. Classic 200 and 400 Sheet Film in Europe
  78. 5x7 Transparency Film
  79. Time to order your acetic acid
  80. Will a Horseman 6x12 back fit on my Crown Graphic with Graflok back?
  81. A couple of questions about BTZS tubes.
  82. Discussion: Pyro stain, silver rich film & thick emulsion
  83. Anyone order from Photowarehouse?
  84. Calumet processor for 8x10 Polaroids
  85. Polaroid p/n 55. Getting a useable print and neg in one pull
  86. Flourescent lights and negative or transparencies
  87. Some questions about processing T-Max 100 4x5 sheets
  88. What Water Temperature when mixng pyrocat-HD?
  89. Some questions about contact printing
  90. HC-110 dilutions
  91. Source for 8x10 films?
  92. RA4 second hand processor
  93. Building a darkroom for a camera club
  94. Pyrocat-HD Questions, take 2
  95. Pyrocat-HD Dilution Dilema
  96. Ortho films - APH, APHS, etc.
  97. Green safelight
  98. HC-110/400TXP/Uniroller
  99. creating a B&W neg from Provia
  100. Type 79 Green Only
  101. Masking Type 55 Neg's for Contact Printing
  102. 4x5 Fuji Film in Dublin
  103. Polaroid type 55
  104. Forte back on the web
  105. EFKE PL100 Reciprocity?
  106. Reference negative?
  107. Kodak Question on filmnare
  108. Why Forte?
  109. Compare type 52, 54, and 55 print quality
  110. Half plate film
  111. Best Mat Cutters
  112. Contrast for E-6 + older lenses
  113. Safe light question
  114. X-Tol disaster
  115. Sepia Polaroid
  116. Heat damage to film in the field
  117. ilford 500 series
  118. 4x5 in drum roller first experience.
  119. Reciprocity failure rule of thumb
  120. "Black Hole" on negative
  121. Panatomic-X in bulk 5" wide 2000' rolls
  122. Infrared goggles in the darkroom
  123. Pyrocat HD with HP4, HP5, TMY 400, Tri-X
  124. Old printing papers ... lost and forgotten?
  125. Polaroid Type 52 - coal and ice
  126. Consistent Printing Over Time For The Same Negative
  127. brown Dektol
  128. EI and Times for Tri-X 4x5 (320TXP) in PMK
  129. Storage of film and prints
  130. Film development times for Kodak's new 320Tri-X sheet film?
  131. How to picture an enlarging lens in practice?
  132. Acros & Xtol?
  133. Kodak product numbers?
  134. I have a bunch of extra 8x10" Provia
  135. Matching print color with Spotone
  136. Pyro and 4x5 negatives
  137. Negative carrier etc.
  138. Enlarger or scanner?
  139. Beseler MCRX - MXT
  140. Reduced Ilfochrome Longevity
  141. Paper Magic bullet?
  142. Are there reasons not to use the Zone System?
  143. best tray design for sheet film
  144. New Vs Old Tri-X testing results
  145. Those little yellow boxes
  146. What head for variable contrast 4x5 printing with Omega D2?
  147. Where can I buy cheap paper?
  148. Mural Enlargements from 8x10 and Related Questions
  149. Old Tri-X
  150. finding film speed?
  151. For the chemist types… can you explain?
  152. Loading 8X10 in Beseler Drum
  153. New VS Old Tri-X Testing REDONE
  154. LF film and equipment in Miami / Ft. Lauderdale
  155. B&W on LightJet
  156. High Volume 4x5 b&w processing
  157. Processing and printing in the same trays?
  158. Fuji Acros film numbering system
  159. Recalibrating film/developers when moving to 5x7?
  160. Does anyone have few 12x20" Ektachrome or Fuji film for sale ?
  161. Mixing Pyrocat-HD
  162. Need help with starting to develop my own film.
  163. Films for Larger format
  164. Agnekolor Print Processor
  165. FW: A Message from Kodak Management
  166. developer temperature
  167. Switching HP5+ from Rodinal to HC-110: what to expect?
  168. so just what IS the deal with Kodak?
  169. 100TMAX
  170. Print storage in high humidity
  171. Difference Between a Process Lens and an Enlarging Lens
  172. send a message to Kodak
  173. Life span of C-41 film?
  174. film defects
  175. Ancient color techniques
  176. How safe is freezing film and enlarger paper?
  177. Film preservation: Deep freezing versus refrigerating?
  178. !!Where can I purchase outdated film???!!
  179. Underexposed 4x5 slides
  180. Requesting a source for 5X7 Plus-X sheet film
  181. Unloading / Reloading Unprocessed 8x10 Polaroid
  182. fixer capacity for 8x10 film
  183. Buying Large Format Film and Equipment in Germany
  184. B+W printing houses who are now using Chromira or Lightjet equipment ?
  185. HELP!! Where do I buy outdated 4X5 Large format film??
  186. The black & white transparency process and dr5 - who's used it/them?
  187. super chromega dichro help!
  188. Copying Large Prints
  189. tank life of glycin developer
  190. Longevity of Processed Film left in Sunlight
  191. Longevity of fixer, again...
  192. HP5 or FP4? Which 8x10 film to pick.
  193. Photo Chem ???
  194. Graded papers
  195. Availability of Quickloads in Lisbon???
  196. Recycling precipitated silver in old fixer?
  197. Need feedback on my film tests (long!)
  198. Developers for pt/pd portraiture
  199. Floating prints....
  200. Desperately needed Chemical
  201. Can tmx100 be pushed two stops?
  202. Nitrogen Burst Developing
  203. C-41 The Long and Short of it
  204. print size
  205. Contact printing frame repair
  206. Alternatives to the big name color films?
  207. Moisture on E-6 Film
  208. Film
  209. velvia ready load past exposure
  210. Platinum Printing and ? changes in T-Max 100
  211. Arista.EDU sheet film: worth it or not?
  212. scanning b&w 4x5 negatives
  213. Dry mount not sticking???
  214. Polaroid Type 52: ISO and general advices
  215. Paul Schilliger-27yr old Kodak HS Infrared good
  216. Receprocity characteristics of Efke 25?
  217. NOVA Trimate processors and 8x10 film
  218. Tan Linhof Super Rollex Back on Tech IV
  219. I built a slosher
  220. Ilford Delta 400 Professional
  221. Kodak T-max vs. Ilfotec DD-X
  222. OT: Free 4x5 TMAX100 to good home
  223. Follow Up on J&C Classic Films
  224. Dry Mounting...
  225. 8x10 tranny films
  226. 8x10 HP5+ Reciprocity Chart
  227. APHS Film -- Which Side is Up?
  228. CPA-2 vs CPE-2
  229. Sharpest 8x10 b&w film and dev recommendation
  230. 100 year old picture on glass negative developed in 2004!
  231. Jobo 3006 vs 3010
  232. Unicolor drum problems
  233. Unicolor Drum/Xtol/HP5+
  234. Can you use ra4 chemicals in a CAP 40 processor?
  235. pushing HP5 to 1600, microphen or DD-X?
  236. Unicolor drum problems(continued)
  237. the new Astia 100F-- anyone tried it?
  238. Roll Film Developing Times - Pyrocat HD
  239. Which volum PMK Pyro for 8x10` film
  240. Return to B&W, some advice needed
  241. Revisiting Kodak Polymax Single Weight Paper
  242. What is wrong with D-76?
  243. Processing drums
  244. PPI Hanger Design
  245. 8x10 developing tray insert
  246. Jobo Multitank 5 ???
  247. Kodak cantact paper
  248. restoring old negatives
  249. contact info
  250. spotone remover