- T-Grain Developers
- Chemical storage question
- Dry Glass Plate Hanger Usage
- 8x10 BTZS tube film scratches
- Mel Pierce Camera.....What Do you Know
- How eco-friendly is fine art paper?
- Maintaining 68° with tankless water heater
- Issues with Tmax 100 developed in SP-76EC
- Pyrocat adjustments/improvements
- Ilford Multicontrast Classic FB/selenium toner
- Figuring dilution
- Brief special order period for non-standard sizes of Ilford Ortho Plus
- Log live 8x10 Large format
- Help Request : Film Choice
- Champion C-41 Developer
- Mystery gray specks on backs of prints
- Wet Print Evaluation Issues - Age Related? Help!
- Discolored white borders on prints
- A questionnaire pertaining to analog zine dreams
- Summary Of Recent Work On Stand Development
- D 23 Users
- B/W film & B/W chems - What's in your darkroom?
- How long can I keep film developer
- Lodima G4/Lupex: twin sons of different mothers?
- Rollei black magic
- Instant Film
- TF-4 Or Hypam For Film?
- Stacking multiple Mod54 or 20th Century Camera 4x5 inserts in a single Paterson tank?
- Stitching Panos in the Darkroom
- old - very old film
- Making J Lane Positive Plates? (Famous Format Monobath?)
- Multiple masks for contact printing?
- ULF (and other sizes) Negative Sleeves In Stock at Climax Photo
- Stop bath for FA-1027 film developer
- Adox Scala B&W Reversal: How It Works
- Help needed with bromoil
- Help with opaque green stain after dev with PYROCAT-HD
- Your Crucial Chemicals
- What is your reccomendation for a Graded Fiber Printing Paper
- Darkroom Tip
- A few recent selenium toning notes with WTF
- Dodging & Burning 8x10 Contact Prints
- Nelson gold toner and Warmtone Fiber
- 8x10 Kodak Portra 160 box. How to open?
- My negatives are backwards....Shanghai 8x10 Film.
- Drying and flattening larger fiber and RC paper
- High SBR: Comparing D-23 1:1 vs. Pyrocat-HD EMA
- DIY slide process using Fujihunt 6 bath E6 chemicals
- Scratches on negatives
- T-Max and D76
- Bergger Film Developer?
- Black debris in developer tray
- Developing Tri X 320 (4x5) in D76 1:1
- Pyro 48 (Moersch)
- Newbie Question - Should I develop film myself or send it to a lab?
- My refrigerator with film
- Minimal Agitation article published
- FR corporation 4x5 developing tank
- Shooting expired B&W film
- quality problem with printfile negative pages
- Expired Film images...lets see yours
- Profiling the Imago Positive Paper
- Help, please: Vit C developer neutralization by 120 film??!
- AGFA Chronex medical film: What should I rate this?
- What went wrong? cloudy negatives
- Old Film Tests
- Flood lights for contact printing
- Paterson Orbital Second Chance
- Strange light marks on negatives
- Ilford HP5 PLUS processing
- Equivalent of Massive Dev Chart for Paper Developers ?
- Citric acid equivalent for acetic acid bath.
- Higher fog in rotary development of fiber-based paper?
- Aardenburg Adhesive-Free Picture Framing
- Attaching Manual Base to Paterson Orbital?
- Reusing Film and Glass Plate
- orthochromatic film?
- Is this uneven development?
- Fomapan 400 4x5 , pyrocat and tank development?
- Solarizing Paper Negatives?
- Editioning
- A foolish idea? Creating a positive transparency from a negative
- A starting-point guide to Marshall's spotting dyes and Ilford Warmtone Fiber
- FX-37 development times?
- Direct Positive Paper...problem... black specular highlights???
- Tetenal Interview with Silvergrain Classics
- Dark Streaks on RA4
- Experience in printing from 4x5 and 8x10 on paper 95x120 cm
- Color paper storage in refrigerator
- Availability of Fujichrome Velvia 50, 4x5 sheet film
- Looking for VALCA films information
- Paterson Orbital - lost base, what can I do?
- Film in freezer
- Rollei Infrared 400
- RA-4 Chemical Recommendations
- "Roba Apposta," a reversal process for paper and film
- First attempt with Adox XT-3
- CatLabs 80 ASA Film
- Outdated Delta 100
- Exposing A Stouffer T2115 Onto Film
- Rollei Ortho 25 in 5x7 Question
- Dating your prints
- Rare unknown film
- Is this emulsion 'damage' due to a light leak or chemicals ?
- Darkroom print and data filing system
- Color of Ansco/PF 130
- Avoiding purple tones with selenium...
- old jobo 2000 tank question
- Still Standing
- Reversal vs negative
- D-76; Mixing Small Batch?
- Ultrafine Ortho Lith Film in the UK
- Stand processing Kodak Technical Pan and FP4+
- Ilford ULF annual order period for 2021
- Consistent black lines on negatives
- Pushing Delta 100 with Redfilter
- Determine developing time for any film
- Tray developing - strange marks/scratches on film base
- 2 sheets of film in the same holder?
- Arista Ortho Litho Help
- Kodak D23 Question
- Accidentally developed Fujichrome Provia 100 in B&W chemicals
- Strange black blur spots on 4x5 320 Trix
- 4x5 Lupex
- Ilford SFX200 - Wratten #29 or IR filter?
- Scientific reason why some developers causes decrease film speed
- Nikor Canoe??
- Using Buffered Crescent Board for Image Display
- Processing black and white film in the field
- margins for alt process prints?
- Proper storage for Pyrocat HD components?
- Print evaluating light
- GAF Versapan 4x5 Question
- Leaving Kodak for Ilford paper developer
- Ilford MGFB Classic Glossy vs Matte
- Velvia 100 discontinued in the US
- Ilford Cooltone FB
- 4x5 sheets light inside the film
- Maco Prototype IR film...
- Determining reciprocity failure experimentally?
- Kodak D-76 8x10 in Expert drum
- X-Ray +++
- Anyone else Problems with the Darkroom?
- haze in negative
- Reasons for using reversal film?
- Followup On Processing Very Old (1961) Film
- extended red sensitivity panchromatic b/w
- Film Storage accident
- It's been a 4 or 5 years since I posted last - film notch code question
- Banding in Negative
- 20th Century Spiral reel for 8x10
- H&D Curve for Stand Development?
- Anyone hear from Famous Format (New 55) ?
- Negatives with a variety of damage on them.
- Experience with HP5+ shot/developed at ISO 100 in D76
- 2nd pass development PF130 vs Pyrocat-M
- Foma paper speeds -- comparisons?
- "Bloom"/flare around highlights
- 4x5 sheets with a white "triangle"
- Charts Showing the Current Prices (August 2021) of Colour and B&W Film Stocks
- Notes on first experience with Foma paper
- NuArc N1500 xenon printer - manual?
- Foma paper surfaces -- clarification, please
- Old processing tanks for 4 x 5 Kodak hangers
- UV light source
- Paper for both Kallitype and Platinum?
- Heating lith developer
- Do you use a test strip or a test sheet when you print in darkroom?
- Kodalith 2556 Type 3 4x5
- What distance needed to enlarge to 30" x 40" with 135mm or 150mm lens for 4x5?
- Experience with Harman Direct Positive paper
- I just "killed" an old habit today!!
- Expired film, storted at room temp, for bin?
- Zone I SET
- 5x7 Portra special order
- FNG first time 4x5
- Polaroid on 4x5
- Readyload film removal?
- Tip: Home-made C-41 and RA-4 chemicals
- Refrigerating plates
- Velvia Discontinued?
- Film on a Plane: Check It or Carry-On?
- dilution for highlights
- Small Presentation Boxes
- Ilford Direct Positive Paper - diagnosing Dmax problem
- Is the current Ilfochrome able to direct positive photos?
- Thin negs
- Gradients on short edge of 4x5 Negs
- Provia 100 vs Ektachrome 100
- Kodabromide Postcard DW F3 NOS
- RA-4/color darkroom printing in 2021
- My experience with 20th Century Camera's 5x7 reel
- Bostick & Sullivan kits
- strange defects (4-5 spots in a line) in the center of 4x5
- in search of white or off white archival 9 x 12 drop front boxes
- Pyrocat HD - Differences/Effects between 1:1:100 and 2:2:100
- For all of your processing headaches...
- an idiot question but need help!
- dirty film / filtering liquids
- Is Dektol supposed to be brown?
- water filters
- Volume \ flow rate for RC print wash
- Foma Classic paper and higher contrasts: anyone else having issues?
- mystery film
- Flare or light leak problem
- Jobo 3005 8x10 streaks on negative
- A question about farmers reducer staining
- Pyrocat HD solution B question
- Velvia 50 4x5 and 8x10 and Fujicolor 160NS Professional 120 discontinued
- Film Reciprocity Failure Compensation Factors For Films
- Darkroom timer apps question
- Print film as negative film?
- Shanghai Film Caffenol Processing
- More detail from internegative or digital negative ?
- Light spots on film.
- Tmax 400 in D-76 correct dev time
- Should Kodak/Fuji rethink color sheet film for room temp processing?
- "Dark bags"
- Lowest temperature for C-41 / E-6 cross-processing?
- poll Color Film Use
- Poll: Color Paper Use
- Best Developer For 4x5 Hard Rubber 1/2 Gallon Tanks
- Poll: How do you process large format black and white film?
- Printing Glass Plates: How to avoid breakage?
- Moersch SE-6 Developer Shelf Life?
- processing 20x24 film in a 3063 Jobo drum
- Bergger Panchro-400...Experiences?
- Development time for paper.
- Shanghai GP3: First Impressions
- Homemade emulsion help please
- CSW E6 and C41 lab in Chicago is back starting Monday
- Provia 100F and Velvia 50
- Broken film package from Kodak?
- My Heico Perma Wash Does Not Smell...Is This OK?
- Lightleak: from where + what to do?
- Xray film experiance
- Film Developing Rant and CineStill DF96 Monobath - Am I Lazy?
- Newton's Rings
- two solution D-23 question
- Terminology Question
- Cursed image - Pyrocat-M salvage
- Tech Pan 8x10 in a Jobo - Looking for Info
- Your experience with Perceptol and Microphen, compared to ID-11 - Some questions
- Arista EDU and Foma 400 - Are you using them in spite of .... ??
- Cross Processing out dated Transparency and Negative in E6 and C41
- in-camera negatives for Salt Printing?
- A small observation: Foma Classic, Multigrade dev, Eco Pro dev
- Gas Light
- Taking film in and out of the freezer
- LegacyPro EcoPro BW Film Developer - Have you used it? - Your thoughts