- Color Processing
- Stearman Press 810 & Temperature Film Reticulation
- Bottle cap liner replacement?
- Resolution Comparison Between Films?
- Bromoil... what kind of paper and brushes
- Eliot Porter's darkroom with Jim Bones
- Ektachrome 64 Colour Cast
- Freezing Silver Gelatin Paper?
- Cinestillfilm C41
- Hypo clear?
- How To Use Stouffer Step Tablet?
- Fiber based paper thoughts
- Foma Fomapan 100 in rodinal : exposing and developing
- Arista EDU 100 (Fomapan 100) in HC-110?
- Pyro
- Hint for Dry Mounting Oversized Work
- Old paper rescue?
- PMK and open sky blotchiness
- Dektol Issue
- Light Leak: what went wrong?
- Clothes iron as tacking iron?
- How to maximize shelf life of Fuji E-6 kit?
- Is Chrome Alum and Potassium Alum The Same?
- Source for String-Wound Filter Replacements?
- Anyone Made RA-4 Color Prints From Ektar Negatives?
- SP445 film holder marks on negatives ( how to do this intentionally )
- Question about JOBO expert drums
- How much detail is lost enlarging a 4x5 negative to 8X10
- Daylight processing tank for x-ray film
- Moon lit scene with Txp 320
- Many paper developers back-ordered or special order with long delivery lead
- Liquid Orthazite formula
- Portra 160 x 400 (4X5) mixed up (ay caramba)
- Carbon printing vs Gum dichromate
- Dry mounting and the “orange peel” effect
- Developing 5x7 in 12x16 paper drum
- Help with developing results good and bad
- Tried out Cinestill's new CS6 kit, or how I learned I'm exposing slide wrong (maybe?
- ARTIFACT on my negative - what kind of light leak is this?
- Jobo Expert Sheet Drum OR Mod54 Large Format Film Processor?
- Making Adox Poly Warmtone
- Carbon Printing Video
- Bad chems -> Blix
- What can cause TINY TINY white spots on a neg?
- Temperature management
- Storing Ansco 130
- Ilford Ortho help
- Mounting 4x5 film on 8x10 drum ( Kodak LVT 1010 )
- Color contact printing
- monobath developing for B&W sheet film for students processing at home?
- Eco-Pro paper developer -- some observations
- What is the current tech in alt printing light sources?
- Mammography film
- New to me printing issue
- C41 Accidentally added too much water to the Blix mixing
- New HC110 Liquid Same as Old HC110 Syrup?
- Develop -N2
- Portra 160 or 400 for portraits ? Opinions and experiences
- B's 4x5 reel, experiences?
- Berger 400 developed in Clayton F76+(Arista Premium)
- Adox Fotoimpex Glassine Negative Sleeves (8 x 10", 100-Pack)
- New 5x4 Film type Holder Works in Paterson Tank.
- old film
- PYROCAT-MC in GLYCOL user info appreciated.
- Long narrow printing trays, where to get them?
- BR/A or X-ray reciprocity?
- Tetenal Colortec C-41 Developing Kit
- Stearman Press leaking like crazy
- Expired FP4+
- quick review on Shanghai 8x10 film (processed as negative and positive)
- Scratch on negative, how to remove defect from print?
- Identify Film Notch Code
- Kodak Alaris sells off paper and chemical businesses
- Has Diafine been discontinued?
- RA=4 Reversal Processing
- Did I damage my emulsion?
- No notch Film identification
- Recent results: warm-tone paper and developer, selenium toning
- Retouching Dope
- Issues with faint splotches on negatives when home-developing
- Loading 5x7 film in Jobo 3006
- Pyrocat HD Stain & Base Fog
- Ilford PQ Universal alternatives?
- Film from Aero roll film
- Taking a class and now totally baffled
- Oriental VC-CLS enlarger head
- Split grade printing weirdness
- Long life opened liquid paper developer
- Beginner-friendly developer for 8x10 HP5 and Tri-X in 8x10"
- Exposure, Light Leak or Darkroom Issues?
- Neophyte x-ray film development problems
- What's these strange marks on 4X5 film? They come sometimes.
- Crud on negatives
- Beseler 11x14 color unidrum
- Dark patches on negatives; SP 445
- Please share your darkroom prints from B&W slides
- Low reciprocity Sheet Film?
- Alternative for Sizing and Salting the Paper for Ziatype
- Where to buy mat board these days?
- Printing J Lane Dry Plates
- Development failure
- Spots like a dark sun - Rollei RXP 25
- Is Oriental Seagull paper gone too?
- Rollei RPX25 extended red sensitivity example
- Light leak: Camera technique or development technique?
- Shelf Life TMAX 100
- Benzotriazole Shelf Life?
- Ilford Japan Platinum printing supplies
- Yellow Staining on Negatives, Please Help
- Tri-X Reciprocity Failure
- Southern California incinerator source for black-and-white negatives?
- B&W Paper Reversal New Method?
- Re-using BW Chemicals
- how to cut film in the dark?
- Contact Print from iPad
- Mystery Notch Codes
- instant film for 4x5?
- Mat Size vs. Mount Size
- old Kodak chemistry
- B's 4x5 Reel and FPP x-ray film
- Glass plate negative storage
- Invisible Marks on Negatives
- Glass plate, recognise emulsion side
- Keeping the film rebate for contact prints
- Chemistry (again) use after time
- Washing Anti-Halation Backing on HP5
- 4 x 5 Contact Printing Question
- Need densitometer reading
- 5x4 processing marks. Wetting agent?
- Pyrocat-HD Part A precipitate
- Selenium Toner for Archivability
- Kodak D76 Recall
- C-41 Recommendations?
- Old HP5 Film
- XTOL not mixing well and not working any more!
- Print Washing
- 20th Century Camera Developing reels
- Dry Mountings vs Hinging and other aspects of presentation
- E-6 labs in Utah or Colorado?
- Making separation negatives from color positive sheet film
- Excited to embark on Covid PT/PD testing...trails....newbie.....NEED TIPS!
- Film curves and density range in reversal development
- Dilution problem of sodium sulphite in water
- Photographing Darkroom Prints To Be Shown Online
- film holders vs film hangers vs film carriers vs ... ?
- Lupex Paper
- Is this Bromide Drag? Help!
- Marks and spots on my almost dry negatives
- Mystery paper: Supre-Print ultra-rapid process stabilization paper
- Spotting
- Massive Dev app
- RH Designs Zone Master II With MG V Paper
- Clayton P20 Plus paper developer
- what went wrong -- LIGHT LEAK !
- Brown glare on negatives
- What is the right formula for Hypercat?
- Vitamin C developer for paper
- Dev problem or light leak?
- Removing sheet film from rotary tubes question
- Tiny Black Specs on Arista EDU Ultra 100
- Super Chromega D Lamphouse Dichroic grade filter questions
- The Variable Contrast Printing Manual by Anchell, Steve
- Freezing FIlm - Provia 100, Tmax 100 & 400, Ektachrome E100, Velvia 50
- Tim Hall, videos on darkroom materials.
- Some Darkroom questions, mostly on enlargers
- nuarc xeon printer, front shield?
- Uneven Development -- 5X7's in Stearman Press 8X10 Tray
- Test Targets for Dialing in B&W Development
- Pyrocat-HD Process times at other dilutions
- Strange marks on re-washed negative that won’t come out?
- Ancient Dry Plates
- ?? Gummy residue on Bregger film??
- What went wrong with the development of this sheet?
- Chromium reverse
- Recommendations for labs that process C-41 (color neg) 4x5 in the US.
- 8x10 film processing setup
- Developed Negatives - GreenCast
- Developed Film - Vignette ?
- HELP - Crop Printing..
- Beseler and Unicolor Daylight Print Tubes
- Yuletide Gift: When asked... do you list anything photography related?
- Storage device for 8x10 unexposed film
- How do sellers handle paper age?
- Black and white stabilizer with Tetenal E6
- Developer in powder - Color and B&W
- Looking for a LF film processing lab In Houston Texas
- Fuji HR-U X-ray Film, 510 Pyro & Albumen Printing
- Albumen Print Toning Color Shift Examples
- tank for 5x12
- Developing Shanghai GP3 8x10 Film?
- Fujifilm Full Speed Blue (RX-N) X-Ray Film
- RA4 - how to get things right?
- Loading Washi film W
- Masking 8x10 negatives question
- KRST as Fixer? Yeah...Why Not?
- use expired developer
- A 'rona boredom question.
- Black and white reversal - experimentation with different developers
- Lookikng For Dry Plate Developing Lab . . .Anywhere
- What are these annoying blemishes?
- Who Has 16x20 film for sale now?
- Light tent film developing with monobath
- Old stock of Kodak D-19 developer and Zone VI fixer
- developing with x-tol - agitation and Films
- Light Straw Colored D-76 Powder
- J Lane Dry Plates In Studio?
- Large Print Process - Long Post! (w/pix!)
- Any tips for home brew developers for the TMax films?
- Merry Christmas to All!
- Tube size for Pyrocat with Extreme Minimal Agitation
- C-41 Question
- My new Jobo/Tmax 100 consistency problems solved
- Unsharp Masking…Would I/Could I/Should I?
- Help with Cibachrome-A Print System DY-Drum 8x10in
- old xtol
- Large Carbon Prints from small negative
- Developing old films
- B&H unable to ship PQ Universal (again)
- The search of the golden bullet - Ilford FP4+/Hp5+ in ID-11 / D+76 (minimum amounts)
- the thread for Kodak XTOL quality control issues
- Semi-Auto-Calculating Exposure Chart for Paper Contrast Change
- How to avoid splotches on edges of negatives from drying
- Homebrewed Film Developer Formulas
- Antihalation layer not clearing with Bergger Pancro 400
- Is it possible to pre wash photo paper?
- Kodak industrial x-ray film
- Notes on Fomapan 100 development with various developers
- Kodak Kodabromide G2 VS F2
- Diagnosing over exposed band through the middle of negative
- xtol alternative
- Boosting contrast with extended development, your choice of film.
- Ilford Ilfosol 3
- Gunk on Negatives
- SP-445 agitation test results challenging
- Added H&D curves to my Film Log webapp, though I'd share
- Jobo 2550 Tank + "Color by Beseler" Motor Base
- Trying out Chromium intensifier
- scrolling paper development - advice
- Need Help With Sistan (AdoStab II)
- Fomabrom Variant 111
- OLD film OLD paper Solutions
- Stop bath with TF-5 fixer
- Cibachrome printing
- Pyrocat HD part B adding dry chemistry to distilled water + part A
- New Ilford MG RC Portfolio
- Platinum Solution #3: Does it go bad?
- Favorite Current 8x10 B&W Film?
- T-Grain Developers
- Chemical storage question
- Dry Glass Plate Hanger Usage