![]() |
|
Welcome! You are currently viewing our board as a guest which allows you to view most discussions and gain limited access to other features. By joining you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access other features. Registration is fast and simple so please, join our community today! If you have any problems with the registration process or your account login, please contact us. |
|
|||||||
| Register | Unified View | LF Home Page | Guidelines | FAQ | Members List | Calendar | Search | Today's Posts | Mark Forums Read |
| Resources Labs, education, workshops, services, stores and places to find information on LF photography. Commercial posts are prohibited except by approval of the moderators, see the guidelines before posting. |
|
|
Thread Tools | Display Modes |
|
|
#14 |
|
multi format
Join Date: Feb 2001
Posts: 1,647
|
Re: making hand-made books
paper ( or velum/ acetate ) negatives from the copyshop ...
just enough imperfection to make things interesting! i wonder if you could print on both sides of a salt print, or a cyanotype ? thanks vaughn ![]() - john |
|
|
|
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Emulsion Making Classes at Photographers Formulary | Kirk Keyes | Announcements | 4 | 23-Jan-2010 02:40 |
| Ron Mowrey teaching emulsion making and coating | paulr | Announcements | 7 | 26-Apr-2006 18:13 |
| Essential Technical Books | Kirk Gittings | Style & Technique | 39 | 30-Mar-2006 22:12 |
| Books | Tim Kimbler | Resources | 3 | 6-Feb-1998 08:20 |