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Thread: Learning to shot Chrome film??

  1. #61
    Preston Birdwell
    Join Date
    Feb 2007
    Location
    Columbia, CA
    Posts
    1,587

    Re: Learning to shot Chrome film??

    Besides, expired printing paper can always be donated to the pizza parlor down the road. Anything would be an improvement on their current crust.
    Wouldn't that be called indecent exposure, Drew? :-)

    --P
    Preston-Columbia CA

    "If you want nice fresh oats, you have to pay a fair price. If you can be satisfied with oats that have already been through the horse; that comes a little cheaper."

  2. #62

    Join Date
    Sep 2003
    Location
    South Carolina
    Posts
    5,506

    Re: Learning to shot Chrome film??

    Quote Originally Posted by Drew Wiley View Post
    Sandy - both of us probably have a lot of respect for Richard Kaufman's contribution to
    both color pigment and dye transfer printing. He was one of those guys adamant about the
    superiority of color negs from way back. I know a few other well-known folks. But for every
    one of them, there are plenty in the opposite camp which favors transparencies. Each has
    his own reasons. At the moment, I've got one foot in both, and I know why. And for where
    each counts, I think I can pull a color print as well as anyone alive. But certainly in terms
    of exploiting the wonderful scale potential and richness of a quad carbon, it would be hard
    to beat tricolor separations directly onto black and white film.
    Drew,

    Yes, we agree about Richard Kaufman's contributions.

    As for the superiority of color negatives or color transparences when the final product is a print, I will also agree that both camps have their reasons, as you say. I have seen many good prints, and many bad and mediocre ones, made with both types of film. And I am personally responsible for many of the bad and mediocre ones I saw.

    Sandy
    For discussion and information about carbon transfer please visit the carbon group at groups.io
    [url]https://groups.io/g/carbon

  3. #63

    Join Date
    May 2006
    Location
    SF Bay Area
    Posts
    308

    Re: Learning to shot Chrome film??

    One of the issues with transparency film is there are many photographers basing their experience on high saturation films, especially Velvia which is rather contrasty. Of course many love the film because it can make even boring colored subjects rich. But that is also why this person and many others eventually went to Provia and Astia. Not only more dynamic range but also more accurate color. Still not nearly as dynamic as negative film but if one picks their subjects within the range of the film, results are fine. And like Drew I really value being able to look at a transparency on a lightbox instead of trying to recall what a scene looked liked days later on a computer monitor with my memory. At that point its mostly imagination.

    So to the OP, if you are considering using chrome film, stay away from the favorite contrasty choice while if prints are your primary goal, negative film may be a better choice to become familiar with especially if you have an expensive scanner available.

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