Most of the Katrina work was with a 90mm Grandagon 6.8.
Most of the Katrina work was with a 90mm Grandagon 6.8.
Ed Richards
http://www.epr-art.com
This is one from Hoch Auditorium at the University of Kansas, before the it was struck by lighting and burned.
I have not been back up there since and don't know if this area still exists in this form.
Hoch 3 by cpercy2011, on Flickr
Gorgeous!
cpercy, some splendid lines in that image with delicate textures. I almost get a feeling of claustrophobia looking at the imposing structure.
Nate Potter, Austin TX.
The door to our basement stairs, taken yesterday afternoon.
Speed Graphic, Hoya +1 close-up lens (~240mm), 4x5 Delta 400 (expired 1999)
Jonathan
Thanks for the comments guys.
stradibarrius, I use a spot meter and the zone system (expose for the shadows develop for the highlights). This was shot around 1990 and most likely would have been T-Max 100 in HC-110 or T-max dev. I am now printing with Jon Cone K7 inks and the tonal range of the prints for that process is beyond my wildest expectations. That in combination with curve controls and local contrast adjustments possible in PS, produces prints that far exceed what these look like even on a good monitor. If you have not looked at this process I would just say its worth the time to give it look.
Hi, interested thread, as i'm interior contractor
thanks,
Not particularly creative, but I shot this (and many others) a number of years ago for a friend who runs a custom cabinet making business. I'm not sure if he ever used them, but the shots came out nicely, or so I felt. I suppose something like this would be done digitally now, but of course I wouldn't know!
Toyo 45A, 210mm Sironar-N, 4x5 Portra 160 NC
Jonathan
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