You can try x-ray film as well. For me I have more control mixing pigments and using old papers. I'll have to look at some of the portraits I have done.
You can try x-ray film as well. For me I have more control mixing pigments and using old papers. I'll have to look at some of the portraits I have done.
"I love my Verito lens, but I always have to sharpen everything in Photoshop..."
Thanks Mark. It seems than it's better to use FP4+ with blue filter.
Do you think it will be a noticable difference between photos made on Ortho film only and made on FP4+ with blue filter?
I also like the look of old silver gelatin photos (later I will attach an example of it)... can it be also imitate with currently black-and-white films? Or is it only a matter of printing papers?
The Ortho will have a different look than FP4+ with the filter because they are different films made for different purposes, and likely designed for different developers, (I don't know which Ortho film you're planning on).
It's hard to match the look of old material exactly. It's hard to match the look of another modern photographer even if you have the exact same equipment and materials. At best, you can be inspired by it and use something of it, perhaps catch an echo of it, but it won't be quite the same.
"I love my Verito lens, but I always have to sharpen everything in Photoshop..."
That photo does not look like wet plate collodion to me, too much detail in the sky
The best way to imitate the look of wet plate collodion... would be to shoot wet plate collodion.
- Leigh
Not quite - Ortho is yellow, but not red sensitized, back in the days it was "true colour" (orthochromatic) compared to the preceding unsensitized plates. It could be described as having a green filter built in, so you'd still need that blue filter. For blue sensitive only you'd have to use X-ray film or unsensitized process film (now rare, but there used to be some, recognizable by the fly sheet allowing yellow as well as red safe light). Or traditional - not multicontrast - print paper.
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