That was one of his areas of exploration. He called it "Things for what else they are". I presume he meant that some shapes and forms resemble others, although from a completely different context.
We see this fairly often when people make "abstract" photos (for example, Aaron Siskind) where a fragment of a wall might resemble a face or a Chinese character. Some of Weston's peppers and other vegetables look like human limbs... it's a classic. Steigliz's clouds fall into the same category rather often: they tend to evoke something "more than" the literal subject.
Some people like this approach more than others, but it's a way to add one or more "layers" of content to a photo. Minor White was a mystic, and one of the core propositions of mysticism is that things are not as they seem... nor are they otherwise![]()
Much of his work evokes the dream state as much as the waking state.



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