Large format paper suggestions and supplies?

[Michael Graves]

Does Hahnemuhle have anything that has a bit of surface sheen to it. I don't really like matte surfaces that much, but I hate the ultra-glossy surface even more. The Exhibition Fiber has a nice luster. My one complaint is that is it very heavy. I would like something more like a standard double-weight paper.

Thanks to all for the suggestions. The Entrada Bright just went onto my list as something to order. I ordered their sample pack so I'll take a look before I sink money into a significant stock. Probably most of my "serious" printing will remain wet printing in the darkroom, but for proofing and for stuff to be delivered quickly, I think the 3880 is going to become an important tool.

Hahnemuhle wins every test I do here, based on my criteria, of course... I like the PhotoRag 308, matte surface, velvety, rich, etc.

Lenny

[Lenny Eiger]

Does Hahnemuhle have anything that has a bit of surface sheen to it. I don't really like matte surfaces that much, but I hate the ultra-glossy surface even more. The Exhibition Fiber has a nice luster. My one complaint is that is it very heavy. I would like something more like a standard double-weight paper.

They have two, one is called Pearl, at 285 grams, the other a Fine Art Baryta, at 325 grams. I have used both, but the raves were for the Baryta... They have a couple of variants of these. I get my paper primarily from Jimmy, at shadesofpaper.com. They have a full listing...

Lenny

[Gary Tarbert]

They have two, one is called Pearl, at 285 grams, the other a Fine Art Baryta, at 325 grams. I have used both, but the raves were for the Baryta... They have a couple of variants of these. I get my paper primarily from Jimmy, at shadesofpaper.com. They have a full listing...

Lenny

I agree the baryta is superb , i also like the Canson platine .Cheers Gary

[andy]

canson platine or baryta photographique.

they're fantastic. I prefer the platine for black and white, but it's good for color as well.
both papers have a depth that isn't common for inkjet papers.