Here is a recent short read by Brooks Jensen on "Dead Media" that touches on film photography:
http://daily.lenswork.com/2012/04/dead-media.html
Here is a recent short read by Brooks Jensen on "Dead Media" that touches on film photography:
http://daily.lenswork.com/2012/04/dead-media.html
Lol!
Wilhelm (Sarasota)
Excellent points by Brooks.
How ironic. My own children prefer to use their cell phones instead of the digi cameras I bought them for Christmas.
Last year I started using a Canon 5D to photograph musicians in performance. I tried, honestly, I really tried. I went back to Tri-X/Diafine.
Thanks for the link, Darr. I believe that Brooks is "dead" right!
When using a Petzval to get "swirlies", it's not "alternative", but a perversion of the original design of the Petzval, which was to be a fast portrait lens - any careful worker getting "swirlies" in 1865 would have gone to a longer lens.
Petzvals aside, I think film has become an alternative process, just as wetplate did.
One man's Mede is another man's Persian.
We're officially old fogeys now!!
"There was a kind of perfection to the images that I didn't like, a sort of sterility and an overly-clinical quality that just didn't work with the sensibility that I was after."
I think you have hit the nail on the head.I have been searching for a word or phrase to describe what is unappealing about digital image, and I believe sterile and overly clinical are certainly a part of it.
Actually nowdays I consider film photography - especially LF - to be more "printmaking" !
"Sterile" and "clinical" are two words I've heard used to describe audio CDs compared to vinyl. I've heard both, on equipment that can show the differences, and it's about right. There's a nuanced smoothness, for lack of a more thought out descriptive term, that is missing from both digitised music and digitised images.
One man's Mede is another man's Persian.
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