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Thread: Atget at MOMA

  1. #1

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    Atget at MOMA

    Has anyone been to the Atget show at MOMA? Looks interesting. I would love to hear you impressions. Here are some pictures from the show http://www.economist.com/blogs/prosp...ts-photographs
    David

  2. #2

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    Re: Atget at MOMA

    I have. It was very good. Portraits, street scenes, and some early ruin work. Seeing the Avenue des Gobelins prints was pretty mind blowing

  3. #3

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    Re: Atget at MOMA

    Someone at least has a clue. Thanks for sharing. I have to make do with a book.
    David

  4. #4

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    Re: Atget at MOMA

    Quote Originally Posted by mdm View Post
    I have to make do with a book.
    Same here!
    I have the book by John Szarkowski which is one of my favourites.
    Haven't see a few of those on that slide show you link to though - number 12 is cool!

    cheers, Tony

  5. #5

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    Re: Atget at MOMA

    I like his corners and broader street scenes, like #5 in the link.
    David

  6. #6

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    Re: Atget at MOMA

    David

  7. #7

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    Re: Atget at MOMA

    A few more - not the usual images -from the 'Zone et fortifications'.
    Make sure to see the 'large' version of each one.

    http://www.flickr.com/photos/1864338...7607016164873/

  8. #8

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    Re: Atget at MOMA

    Speechless. Thank you for that link. A true master, in every sense of the word.
    David

  9. #9

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    Re: Atget at MOMA

    Quote Originally Posted by ajmiller View Post
    A few more - not the usual images -from the 'Zone et fortifications'.
    Make sure to see the 'large' version of each one.

    http://www.flickr.com/photos/1864338...7607016164873/
    This Flickr page is a really crappy presentation of his work, thanks I'll pass.

  10. #10

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    Re: Atget at MOMA

    If someone took a stack of your negatives and put them on flickr, that would be a crappy presentation of your work, if your work even qualifies as work in the first place. In there are some magnificent photographs. You get a sense of what he was doing. Take all Westons rejects, with the monumental prints, or Adams or anyone elses, and you see a different picture.
    David

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