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Thread: Obsidian Aqua, catechol staining developer

  1. #101
    おせわに なります! Andrew O'Neill's Avatar
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    Re: Obsidian Aqua, catechol staining developer

    Jan, I haven't printed this negative. I exposed it EI 64, but after measuring with a densitometre, I probably could have exposed at 80.
    Hi Luc, I get my chemicals from Nymoc in Toronto. Email John Burrows: nymoc@bellnet.ca

    Ken, I marked the negative area that was enlarged. As you can see, it would have to be enlarged quite a bit before you can really see a difference.
    Attached Thumbnails Attached Thumbnails OA8x10.jpg  

  2. #102

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    Re: Obsidian Aqua, catechol staining developer

    ALMOST bit the buklet to buy some Catechol while ordering some CD-3 from Artcraft, but in the end I decided I have so many B&W developers I should run through those first before going crazy on something new.

    But it brought a question, since I've never used pyrocat HD or any other staining dev, as far as fine grain and pushing, I always use DD-X... So, how does it compare to DD-X?

  3. #103
    おせわに なります! Andrew O'Neill's Avatar
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    Re: Obsidian Aqua, catechol staining developer

    For me, a pyrocat negative allows me to print the same negative in silver or alt processes (I've not printed an OA negative yet). High values seem to print softer tonally on VC papers than with a conventional developer. Staining developers are supposed to have smoother tones, less grain due to stain filling in the spaces between the grain. Most of my experience with conventional developers has been with Xtol, which I have heard, is similar to DD-X, no? If you want to try a staining developer, OA might be a good one to try, since it only requires three chemicals, and mixes quickly and easily.

    Now I need to focus on this hockey game. Been multi-tasking most of the day between this thread, making a carbon print, and watching the Canucks and Sharks game.

  4. #104

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    Re: Obsidian Aqua, catechol staining developer

    Andrew,
    Could the differences between the two films stem from a slightly different agitation during development? I am asking because I honestly don't know. I am not implying anything with the question.
    raul

  5. #105

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    Re: Obsidian Aqua, catechol staining developer

    Quote Originally Posted by Andrew O'Neill View Post
    Ken, I marked the negative area that was enlarged. As you can see, it would have to be enlarged quite a bit before you can really see a difference.
    Presuming that the film is 4x5, and sizing the image to 3.75 inches tall, the detail section is around 3/64 of an inch. I'm guessing that the detail section is around 1/20 inch tall on the negative. To see the detail section at 1 inch tall, we'd need an enlargement factor of 20 x.

  6. #106
    おせわに なります! Andrew O'Neill's Avatar
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    Re: Obsidian Aqua, catechol staining developer

    raul, agitation was exactly the same.

  7. #107

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    Re: Obsidian Aqua, catechol staining developer

    What fixer would be best with OA?
    Real cameras are measured in inches...
    Not pixels.

    www.photocollective.org

  8. #108

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    Re: Obsidian Aqua, catechol staining developer

    I use Ilford Rapid Fixer after a 20 deg. C stop bath of water.

    RR

  9. #109
    おせわに なります! Andrew O'Neill's Avatar
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    Re: Obsidian Aqua, catechol staining developer

    I use Ilford Rapid Fixer after a 20 deg. C stop bath of water.
    I use the same fixer.

  10. #110

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    Re: Obsidian Aqua, catechol staining developer

    Please correct me if I'm wrong, because I really don't know that much about the chemistry and of things, but isn't the fixture that is used more dependent on the type of film that you're using then the developer itself?

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