At 11x14 I think it is hard to distinguish, once you go larger the 4x5 holds up better.
At 11x14 I think it is hard to distinguish, once you go larger the 4x5 holds up better.
1) Yes I use only Graftmatic. here are two pins at the bottom and two screws at the top that fit into the grooves on the side of the Grafmatic to keep it in place.
These grooves are not present in normal holders.
2) For now, I am not really convinced by HP5 pushed to 800. TMY-2 might be a better alternative for pushing (but more expansive)
3) I need to try on a tripod to get a better sense of what the lens/camera can do in the best conditions and go from there
Cheers,
Luc
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
I use mine with grafmatics also, (i have 5 of those), and also with a horseman 612 back a lot. The horseman keeps film costs in check vs 4x5. I also use it with a fuji pa-45, it is great to bring to get togethers and shoot and give people instant prints. They love the novelty of it. I get more comments when out shooting with the Saber in public than with any other camera, for the most part.
Hugo, have them keep making them if they can! There's no shortage of the polaroids on ebay, from what I have seen.
Ed
One more from last Saturday. This time at F16.
Cheers,
Luc
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
Since Ive got a Saber with the same lens as the 110A/B cameras...I figure I could give a little of my personal experience.
I like hiking in the SE Utah desert...where I personally would not want to take anything heavy. And as you can see in the list at the bottom of this post, there's a reason I took the Saber along with my SX70. Its damn sure light and compact.
If you have ever held a Land Camera from the 1970s, you know the bellows struts are not the most solid things made. Its perfectly fine for my needs, but maybe not yours.
The Saber is a "suit your needs" kind of camera. If you have a need for something like it, get one (if you can? is it that hard now?). Its not for replacing anything in your large format gear collection, but add to it.
Earlier someone posted their beginning of a 4x5 110 conversion and removing everything possible...a damn good idea. This is about as small as Ive ever been able to make one. Compacted graflok and body:
Here are some straight, no chaser, weight comparisons:
- Polaroid 250 Land Camera - 2lb 10oz
- Chamonix Saber 127mm Rodenstock in Copal 0 - 1lb 15oz
- Unmodified Polaroid 110A/110B - 4lb 8oz
- Converted Polaroid 110A/B 4x5 Compact Graflok - 3lb 11oz
(4lbs 8oz with focusing panel ground glass attached)- Converted Polaroid 110A/B 4x5 Compact Body & Graflok - 3lb 6oz
Dont sacrifice the 195!? Unless you plan on keeping the shutter housing since its the only piece on the camera which gives it the identity "195".
And the 450 has its flashcube shoe...obtrusive unless you have some sort of adapter for a standard flash shoe (DIY i have seen).
I have been working like a dog including Saturdays and week-ends have been rainy.
I took a few shots to test the focusing. Both shot at f5.6 (wide open) with focus at two different objects separated by about 15 cm, Delta 100 on tripod to eliminate shaky hands, distance about five meters.
Here are the crops reduced to 1600 - hopefully it is enough to show that focus is showing a difference between the two and is at the right place.
#1 focus on first camera
#2 focus on Medalist
BTW I tried mounting another 150mm lens and the RF was totally out of sync with focus a meter behind the RF.
Cheers,
Luc
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
Luc, the focus looks OK.
Nice collection you have there
Matus
After using the Saber for some time, I made a few changes:
1) Removed the release button and cable and replace by a Gepo tied to the handle
Why?
Because the release button while looking very professional is not smooth enough which result in small camera movements. Now I can release with the camera firmly in hand.
Attachment 72503
2) Glued a spirit level in the empty space where the release button was seating
Why?
It looks better than an empty slot and it is usefull on a tripod
Attachment 72504
3) Glued an eye piece on the RF window.
Why?
I get a better definition for the centre and I can see the yellow frame better
Attachment 72505
No big deal but little things that I like.
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
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