I love the "newer" Velvia 50 compared to the much earlier version. Less grain and great for low light situations, notwithstanding its speed. I suggest you try a polarizing filter (linear not circular) which should not be terribly expensive. Grad gray filters are also useful but obtaining the correct exposure is a bit challenging.
The polarizer does not have to be used to its fullest for interesting effects and can reduce contrast in many situations, a plus with the limited dymanic range of this filml
Make sure you know the reciprocity characteristics of this film and in particular the need to add extra seconds once you pass 4 second exposures. In low light, which is where this film shines, at f32-45, you will find the need to shoot at calculated speeds of 32 seconds, and with adding time for reciprocity failure, doubling that to 64 seconds. This requires a steady tripod, camera screws that tighten down, and careful use of a cable release so as not to move the camera while the shutter is open. I've been using this film for years and when the conditions are right, it is truly the best color film you can shoot.
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