I removed some of the top...
Also see attached for another variation.
I removed some of the top...
Also see attached for another variation.
BTW are you using a lens shade?
people are pretty familiar with that lake
Crop it to hill and sky and wait for those competing dark clouds to move out
1) If this is a documentary image to show the lake or that section of real estate, the image has to convey the facts - but if it's a "fine art landscape", then we look for other qualities.
2) Sometimes we want to show it all, to our own detriment. What is the most beautiful portion of the image ? If the answer is anything other than than "Everything in the image is the most beautiful part of the image", then there's probably an opportunity for us to refine things further.
3) Is this a scan of a darkroom print, or a negative ? If the former, you could bring out more of the information in the clouds by burning them down. If the latter, then you could extend the dynamic range of your scanner so as not to clip the high values. (Less important if it's a documentary record, more important if it's a fine art piece).
Here's one of Ansel's renditions of clouds. He likes to show it all, but by that we mean all the tones, not necessarily all of the scene. He keeps things a bit abstract. That adds a dash of mystery.
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