
Originally Posted by
Noah A
Mortensen--The learning curve wasn't too bad. Mounting is a bit of an acquired skill but I was getting usable scans basically right away. Having said that, after doing it for a while I now get less dust and no more bubbles. (I also switched from Prazio supplies to Kami supplies, and I think the Kami fluid is much better).
It's not as hard as some people will have you think. The key, as Lenny always says, is controlling the tonal range and making sure you have good separation of tones so you can make a good print. This is no different with a drum than with any other scanner, but most drum scanning software is a bit more powerful than consumer scan software. I bought my scanner on Ebay from a local photographer who gave me an afternoon of training when I picked it up. And by the way, I spent less than the price of a used Imacon.
Professional--If you plan to go 8x10 definitely don't go for an Imacon, since they can't scan that large. And if you're going to switch to 8x10 for quality reasons, you'll really need to drum scan. In my opinion, drum scanned 4x5 looks better than epson scanned 8x10. I would say imacon scanned 4x5 is also better than 8x10 on the epson.
When I shot 8x10 I only used my Epson scans for prints under 16x20in. Epsons don't cut it for large prints in my opinion.
Now that I have the drum scanner, I considered giving 8x10 a try again since I could scan it easily. But honestly, the hassles with getting enough DOF, the large camera and large everything else aren't worth dealing with considering how good the quality is from 4x5.
Drum scanned 4x5 can look really good. I routinely print 40x50 with great results. And I've done some test prints at 60x75in and they look really amazing considering the size. Frankly, I don't see the point in shooting a larger format since I can't afford to print that big anyway.
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