thank you guys,
a violent front rise to have a maximum of height (and keep the trees parallel), and some hard tilt to play around...
I find film very slick and neutral compared to my wet plate collodion work...I go back to my "Negative book n°2 from Saint Ansel"and try to understand ZS
thank you for your comments
camera was chamonix 8x10 to answer
Looks like a job for back swing, not front? I just realized recently why back swings and tilts came before front movements in camera history. . .
Thanks, but I'd rather just watch:
Large format: http://flickr.com/michaeldarnton
Mostly 35mm: http://flickr.com/mdarnton
You want digital, color, etc?: http://www.flickr.com/photos/stradofear
Beautiful shot Nede. I love the trees as well. Where in France is this?
Thanks, but I'd rather just watch:
Large format: http://flickr.com/michaeldarnton
Mostly 35mm: http://flickr.com/mdarnton
You want digital, color, etc?: http://www.flickr.com/photos/stradofear
Thank you Brandon, shot in South of France (l'isle sur la sorgue) by the way if any of you come by some day, feel free to give me a call
Mdarnton, there was a (pacific) ocean of misunderstanding, I read back tilt is the poor man's movement
Can't wait to shoot again and improve with film!
I was just in France two weeks ago. Maybe next year. I would like to figure out a way to send chemicals and gear to shoot wet plates in Europe next time I visit.
http://brandonfernandez.com
Gear should be no problem, for chemicals it might be easier to order locally, to avoid having to set up a demonstration to convince customs of your honourable intentions...
In France, there is http://disactis.com/ although you might also order from other suppliers inside the EU, given shipping and customs fees and VAT, it might also be cheaper.
Christoph
Nede,
Great and majestic photograph!
-McCoy
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