I would guess that the subtlety arises from the eye's ability to compensate for objects at different distances.
Precisely.
Even at somewhat advanced age (like mine...) the eye still has some accommodation ability. The trick is to learn how to focus the loupe with your eyes at "infinity focus", that is, totally relaxed. If you can do this, you will be able to "feel" when the camera is focused, because the image will be sharp and the eye relaxed. It is, however, easy to mess this up in the heat of the moment.
The next best thing is to learn to focus the camera while moving your head very slightly from side to side; the camera image will move in relation to the image of the groundglass unless the two are in the same plane so that the parallax disappears.
I have three or four loupes of different ilk, but find the best of them all is a no-name 35mm camera lens, used backwards---I think it is a 35mm, but a 28 would probably be even better. There is no skirt, of course, which forces me to get the groundglass sharp first, before bringing the aerial image into its plane.
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