I am puzzled by this question from some time: Why does Schneider (and maybe some others) have a tradition in making such big glasses as the Tele-Artons and Tele and Apo-Tele-Xenars? Obviously there must be something these lenses can do that more reasonable lenses can't do, otherwise who would pay such prices and bother with the weight. I can understand that with some cameras it can be useful to ha ve a shorter bellows, and a 360-400-500 or 800 tele can help, but I don't think a Tele-Arton 250 mm is made for that purpose only and when it comes to weight an d seize, and also the response to tilt and focus, the tele design has some evide nt draw backs.
So what else are these lenses used for? Are they intended to produce a certain l ook in the images, for example a certain softness or a nice bokeh with very shal low DOF, or is the luminosity only intended to help focussing in relatively dark studio conditions? Are these lenses sharp enough to be used wide open? Or were they precursors like the dinausors... Please do share what you like in those len ses, especially the distinct qualities they have!
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