18 inch Verito in a Studio Shutter, with flange and looked to be in pretty nice shape, $857 + $45 s&h. ebay #110879387010
18 inch Verito in a Studio Shutter, with flange and looked to be in pretty nice shape, $857 + $45 s&h. ebay #110879387010
"I love my Verito lens, but I always have to sharpen everything in Photoshop..."
Som Berthiot Eidoscope No. 3 275mm, ebay 120887056865
610$
My 30cm "Universal" is 251345 ( posted on a thread earlier ) whilst the 30cm won recently is 251339.
To-days 36cm is 280826.
There is no garantee that Voigtländer didn't use various groups of numbers at the same time. However the difference in serial numbers is so large that there must be at least months between the 30 and 36cm production.
I have the Universal without that word on the front rim as well.
The serial number is 236998.
There are no ears, but just screws, it seems to be original.
It was used in comunist era in Czech as a portrait lens mounted on Globica 18x24 camera. Cost me 1500CZK, currently about 80$ :-)
80usd - was that including the 18x24 camera? Mine was just a bonus with a Century Studio set.
If Cooke have spectacles, then I think it is appropriate that Universal have ears (which, of course, are just special screws)!
Is this a 30cm?
European Studio sets with "interesting" lenses vary enormously in price levels. It would also be a mistake to assume that the current lens mounted is in one used in the period 1890 - 1940. Many backs witness the continuing downsizing in formats used and the use of a more ordinary optic.
Remember the seller will usually not split the set, so the bulk and transport difficulties/costs is a PITA. The market for Studio sets is quite small and even a small collection can cause domestic strife in smaller households!
As Eddie will confirm, there are still large quantities of "interesting" lenses around at odd places in Europe. My experience, more of a watcher than an investor, is that the old cultural centers of Europe (Prague, Bratislava, Paris etc.) are the best hunting grounds. It seems to me that there is a correlation between the number of Art Nouveau/Bauhaus architecture in a Capital (WWII can have removed most of them, though) and the likehood of finding something interesting. Pictorialism and the new treads in design in the 20th century were fellow travellers!
10 years ago few people, if any, wanted these old lenses. So yes, they were everywhere. Today, when one appears there is a buyer ready within a week. Lenses appear and come onto the market at about the same rate as 10 years ago, they just don't sit on vendor's shelves for years, getting dusty.
Garrett
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