Now here is a real curve ball. Is an Andre Kertez 35mm negative any less valuabl e or precious then an Ansel Adams 8x10 negative? Or is a 35mm negative of W. Gen e Smith any less important then an Edward Weston 8x10?
The images these great photographers have produced have brought great joy, exhil aration, sorrow, tears to the viewing auidience for years and will continue to d o so in the future. Yet their approach is essentially opposite. Though AA used 3 5mm many times, and in his later years, used Hasselblad exclusively.
Questions have been bantered about over what format to use, bigger smaller. Well , this is just more fuel to the fire.