Let us see your photographs of ruins. Here are a couple to get started.
Smithville, NJ: 90mm lens, TMAX 400.
Harrisville, NJ: 75mm lens, TMAX 100.
Plus development both cases.
Let us see your photographs of ruins. Here are a couple to get started.
Smithville, NJ: 90mm lens, TMAX 400.
Harrisville, NJ: 75mm lens, TMAX 100.
Plus development both cases.
Highway 90 bridge, Ocean Springs, MS, after Katrina:
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Ed Richards
http://www.epr-art.com
This is a 'constructed' ruin in a Sculpture Park just outside London. I think it is supposed to be a small ruined chapel, everything inside has been broken intentionally.
Gandolfi 5 x 4 Traditional
Foma 100 in Retro Pyro developer
Direct scan from 5x4 negative
Converted to Quadtone in Photoshop, No fiddling with apart from removing a couple of spots.
nn![]()
Cool subject!
Here's one from the Flagstaff area that I took ~2 years ago with a 4x5 and a 6x12 roll film back. Shot with a 110XL on Acros.
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Here's one more from the same area about a year later. 4x5, the 110XL and Acros again.
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Each photo below was made using Efke 820c film and a Hoya R72 filter.
This image was made near the Utah-Colorado Border with a Linhof IV and a Schneider Symmar 150.
This image was made up Minnie Gulch about 25 miles northeast of Silverton, Colorado, with a Toyo Super Graphic and 127mm Toyonon lens.
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Last edited by al olson; 18-Apr-2010 at 11:32. Reason: Add text
al
[QUOTE=Ed Richards;580793]Highway 90 bridge, Ocean Springs, MS, after Katrina:
That's a very sobering picture, Ed. Lovely as well. Gorgeous pictures al and Jim. Whenever I think to myself IR film looks 'gimmicky' somebody goes and posts something gorgeous with it.
Rory R.
Ian Grant has some really nice photos of ruins on the British Isles and Greece - on the Pyrocat HD Gallery![]()
Last edited by Ken Lee; 4-Feb-2011 at 18:30.
Thanks,
Kirk
"Vocation to Solitude -- To deliver oneself up, to hand oneself over, entrust oneself completely to the silence of a wide landscape of woods and hills, or sea, or desert; to sit still while the sun comes up over the land and fills its silences with light." Thomas Merton
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