This is my first salt print and the best of three attempts, so I will need to practice some more.
I found it very enjoyable, so I will try some more soon.
Comments from experienced salt printers welcome as I want to improve.
This is my first salt print and the best of three attempts, so I will need to practice some more.
I found it very enjoyable, so I will try some more soon.
Comments from experienced salt printers welcome as I want to improve.
Nice...it is a fun process! Is the contrast where you want it?
I have a three-print project I would like to do (of my triplets -- each one photographed with an 8x10 on X-ray film -- I have the negs, I have the gelatin and salt treated paper...just need to do it!)
My only Salt print, 5x7 (it has some problems in the upper right -- some sort of staining in the paper -- not on the paper). One can see it when backlit.
Vaughn
Thanks Lenny. I did this shot with Sue Janes, a photographer who lives near by who studied salt printing and lith printing at college.
It was a lot of fun to do, so I will probably order some chemicals and papers to have another go soon. It was easier than I thought it would be.
Gotta show my ignorance...been playing with cameras for over 50 years and I've never run into the term "salt print" before! What is this lovely process???
Very basic description:
"Salt" some paper with salt (by coating or soaking it with solution of gelatin and salt). Allow to dry. Coat paper with diluted solution (10 to 20%) of silver nitrate. Dry, and then contact print with neg under UV light. "Develop" in a 3% salt solution, fix in plain hypo, clear in HCA, wash.
This was one of the very first photo processes.
William Henry Fox Talbot was an Englishman, a friend of the great scientist Herschel, and one of the first photograpers. He printed using a salt - silver nitrate combination on paper: "...he found that a sheet of fine writing paper, coated with salt and brushed with a solution of silver nitrate, darkened in the sun, and that a second coating of salt impeded further darkening or fading." Later on, after consulting with Herschel, he substituted sodium hyposulfite for the second salting, and improved the longevity of his prints.
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