my contrib. Window Knob II on 5x7"
Delta 100, rated 25
Dev -2
Window Knob II
my contrib. Window Knob II on 5x7"
Delta 100, rated 25
Dev -2
Window Knob II
Vintage Truck, 2011
240mm Fujinon A, Kodak 2D
5x7 HP5+, D-23
Last edited by Ken Lee; 15-Apr-2018 at 09:17.
Spanish Colonial Sugar Mill, Palladium print on COT320
19" Artar, KMV with reducing back.
FP4 in rodinal
van Huyck Photography
"Searching for the moral justification for selfishness" JK Galbraith
New Project: Mulholland Highway and Drive.
Canham MQC
Rodenstock 180mm something or other.
HP5 F5.6 15min in F76 @ 8'00"
Ken
I continue to be wow'ed by how well your pictures work living in the "middle grey" zones.
Is this a function of your developer, or how you set levels in photoshop?
Ash
With your permission, I will share one of my short essays, entitled "The Secret of Beautiful Photographs":
Beautiful subjects.
I can't read your essay as the link seems broken.......so my two cents. To me the most interesting photographs tend to be ugly subjects seen beautifully. The contrast is very dynamic.
Thanks,
Kirk
at age 73:
"The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep"
I'm surprised about the link, but I actually shared the essay below. Title aside, it's 2 words long.
Short and sweet!
Thanks,
Kirk
at age 73:
"The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep"
I hope my previous posts didn't sound rude, I was just trying to be concise.
I may be wrong, but it seems to me that in Fine Art photography, the most important factor is tonality. Tonality is to a photograph, what flavor is to food.
Last edited by Ken Lee; 15-Oct-2011 at 07:05.
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