post alternative techniques

[koraks]

Ramiro, that looks like an improvement! As to the highlights : you are now finding out how contrasty negatives for new cyanotypes need to be

Ron, I currently find myself moving upwards to 8x10 as well I should try the smooth Terschelling, thanks for the suggestion!

[ndg]

"Outbuildings" - a gold-toned Kallitype

Shot at the Henry Clay Estate, Lexington, KY
On 8x10 Arista edu RC photo paper (as paper neg) with Fuji 210 mm f5.6 lens at f22, EcoPro developer
Printed on Arches platine paper

[Wayne]

This is awesomely weird and wonderful

A bromoil of my daughter's second favorite toy, Arlo. This is my second bromoil so far. Attachment 130073

[Will S]

Thanks Wayne! I was in Sugar Camp, WI yesterday having dinner and they had a bromoil up on the wall of the original founder of the town. Kind of cool to see a vintage one like that.

[Jim Fitzgerald]

Here is a new on from a trip to Yosemite in February. A nice Black Oak shot with my Kodak Portrait lens at F-45. Carbon print.

[Will S]

Very nice Jim. I have to learn how to do that. I have everything I need except a lamp and spare time.

So last night was soaking this bromoil during inking and the CAT - that hideous creature with glowing eyes, sharp claws, and a yowl that would make Ted Geisel proud - leapt up on the table INTO THE TRAY!!!!

One hole punched in print. Not sure if you can tell on this iphone photo. All ruined. Oh well, it needs more exposure on the face. Hopefully the next one will be better.

Statue by Frank Lloyd Wright. Foma paper I'm trying out at 11x14.

[Jim Fitzgerald]

Will, still it looks very nice! Cats can be wicked!

[Pitcherman]

Nana-I love it. Beautiful. How did you expose your kallitype and for how long?

[ndg]

Thanks Robert.
With my exposure unit, exposure time for kallitypes using film is about 2 min.
With paper negatives, I'm doing 8-10 min.

Nana

Nana-I love it. Beautiful. How did you expose your kallitype and for how long?

[Emil Schildt]

had some fun...
Liquid emulsion on heavy paper - then melted some in the background... Brown toned it....Cyanotype chemistry on top - lit and developed - re-bleached selected areas and finally handcoloured a Little using silk colours...

This reminds me a Little of Clint Eastwood.... so I'll call it:


"Do you feel Lucky?"