Two persimmons. Platinum print on Kozo paper.
Larger image and some more info over at Flickr.
Palace of Fine Arts, San Francisco
First attempt with Nicole's Kallitype II Process using Ammonium Citrate and Sodium Acetate as a developer. There is a slight unevenness of the sensitizers which is visible on the left hand side which may be due a result of using a new brush and/or minimal sensitizer. I counted 30 drops each of sensitizers A & B into a small (50mL) beaker which I swirled around before pouring into a plastic salsa condiment cup that I requisitioned from a local El Polo Loco Restaurant for dampening the hake brush.
Exposing to the sun until a "whisper" of a print appeared (2.5 minutes), I poured wholesale the developer onto the print from a 1 liter beaker that came with my Corning laboratory warming plate and was amazed - no shocked - by the instantaneous appearance of a visually fully developed print in the tray! Truly a spectacle to behold.
Toyo-View 810G, Kodax 320 TXP, Fabriano Aristico 140 Lb HP Paper.
I made a large bromoil print of Kala.
Sketchy on purpose.