This may interest the photographers, like myself, who shoot large format film then scan and output the prints on an inkjet printer.
I have stitched digital files before but never tried stitching scans together. I found a subject that would test the power of Photoshop. The 10x8 camera was set up and I checked the focus on the three different views. My tripod head has degrees marked on the base and I calculated the amount necessary to overlap the images by about a third.
I closed the lens and took the first image. I then loaded the next sheet, moved the head through 20 degrees and took the next shot. I repeated this for the third and last image. The negatives were processed individually for the same time and temperature to ensure a consistent result.
Each negative was scanned on a Epson V750 using the exact same settings. In Photoshop the negative were stitched by going to File - Automate - Photomerge and selecting Perspective from the list of options.
Here are the three images that were scanned.
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