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Thread: Why "no people" in American Landscape Photography?

  1. #21
    Drew Wiley
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    Re: Why "no people" in American Landscape Photography?

    Among earlier "landscape" photographers, human figures given for scale were almost
    routine. One of my favorite images was made by Vittoria Sella on the upper Baltoro
    glacier in Pakistan with an 18X22 plate camera, when his party was being pursued by
    Gurkha soldiers. Back in Italy, he dubbed in a series of roped climbers crossing the glacier, using a negative from the Alps! It was so seamlessly done that no one realized
    the subterfuge until recently. Who says you need to photoshop to add (or remove)
    people?

  2. #22
    Resident Heretic Bruce Watson's Avatar
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    Re: Why "no people" in American Landscape Photography?

    Quote Originally Posted by Richard Raymond View Post
    How did it happen that the current American landscape ethic is to not have people or show "human influence" in photographs?
    I reject your premise. Why should there be people in landscape photographs?

    I can understand why there should be people in most portraits. But landscape photography is about... landscape.

    Bruce Watson

  3. #23
    Drew Saunders drew.saunders's Avatar
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    Re: Why "no people" in American Landscape Photography?

    Quote Originally Posted by Frank Petronio View Post
    Because when the settlers were traveling West, they killed everyone in front of them, and that ethos carries over to today.
    Their diseases did the job for them, the settlers just cleaned up those who remained. I don't want to get too off photography, but the book "1491" by Charles C. Mann does an excellent job of trying to figure out the true pre-columbian population, and the many disagreements over the numbers (mostly political), as well as the different thoughts of the extent of the cultures of pre-columbian north, central and south America.

    Back to the topic: It's nearly impossible to find any true "wilderness" untouched by man outside of Antarctica; however, I find that images that contain clearly discernible faces are really about the people, not about their surroundings. If that's not "Landscape" to some people, I can understand that point of view. I'm mostly concerned with whether or not I like the image.

    Drew
    https://www.flickr.com/photos/drew_saunders/

  4. #24

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    Re: Why "no people" in American Landscape Photography?

    I have no problem with people in my landscapes, but when shooting LF the people tend not to stick around long enough. That said I always look for the human element.

    http://www.walterpcalahan.com/Cheers...ll_County.html

    http://www.walterpcalahan.com/Cheers...ington_DC.html
    When I grow up, I want to be a photographer.

    http://www.walterpcalahan.com/Photography/index.html

  5. #25
    Confidently Agnostic!
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    Re: Why "no people" in American Landscape Photography?

    Quote Originally Posted by Richard Raymond View Post
    How did it happen that the current American landscape ethic is to not have people or show "human influence" in photographs?
    Cuz we're all sick of being surrounded by others

  6. #26
    Confidently Agnostic!
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    Re: Why "no people" in American Landscape Photography?

    Incidentally (not LF, sorry):







    And also: LF but kinda crappy

  7. #27
    Mark Sawyer's Avatar
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    Re: Why "no people" in American Landscape Photography?

    Maybe since all the "serious" photographers started shooting at f/64, the exposures got so long that nobody holds still long enough to show up...
    "I love my Verito lens, but I always have to sharpen everything in Photoshop..."

  8. #28

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    Re: Why "no people" in American Landscape Photography?

    Why are there no people in Wildlife photos? I think that calendar shot of the "searing eyes of a leopard" should also have in the frame the beer gutted animal wrangler with an electrified cattle prod.

  9. #29

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    Re: Why "no people" in American Landscape Photography?

    Drew Wiley, your comments about using people in a landscape for scale reminds me of the Canadian photographer Byron Harmon working out of Banff Alberta in the earlier part of the 20th century. A good majority of his images of then wilderness Canadian Rockies contained hikers and fellow climbers, presumably for scale. Even pack horses were included as well as camping equipment. These are now classic images and I believe his grand daughter still runs a gallery in Banff featuring reprints of some of his most famous images. I have an image of Helen Walcott in front of a tent at Mt. Assiniboine taken in 1925.

    Nate Potter, Austin TX.

  10. #30
    Kirk Gittings's Avatar
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    Re: Why "no people" in American Landscape Photography?

    There is at least one human presence implied in every landscape photograph and that is the photographer, the witness.
    Thanks,
    Kirk

    at age 73:
    "The woods are lovely, dark and deep,
    But I have promises to keep,
    And miles to go before I sleep,
    And miles to go before I sleep"

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