[IMG]_DSC1360 by renaud henry, sur Flickr[/IMG]
TOYO 4X5 G
Super Angulon 90
Fomapan 100 in rodinal 1+50
"scanned" with a Nikon D 700
Gorges de la Dourbie in southern France
[IMG]_DSC1360 by renaud henry, sur Flickr[/IMG]
TOYO 4X5 G
Super Angulon 90
Fomapan 100 in rodinal 1+50
"scanned" with a Nikon D 700
Gorges de la Dourbie in southern France
Thanks Steve. The 305 barely covers - and specifically, the earlier Dagor type GC, which is less common. It fits into a #2 Compur shutter (also uncommon and somewhat variable in size/thread). There's a few threads on the subject around (like this one I made on my two 305 lenses).
Captivating! Such musical clouds moving about, and the soft tonality is a wonderful complement.
Philip Ulanowsky
Sine scientia ars nihil est. (Without science/knowledge, art is nothing.)
www.imagesinsilver.art
https://www.flickr.com/photos/156933346@N07/
Very handsome composition and tonality.
Philip Ulanowsky
Sine scientia ars nihil est. (Without science/knowledge, art is nothing.)
www.imagesinsilver.art
https://www.flickr.com/photos/156933346@N07/
Early Morning, Shepard State Park - Gautier, Mississippi
Summers in Mississippi bring lots of rain, and consequently lots of humidity. When I take my lenses out first thing, they instantly fog up from the humidity compared to my car. I wipe them down and get to shooting. I've often thought it would be interesting to see how they image with the fogged glass. This time, I guess the inside surface was also very foggy or re-fogged and so I got my test, unintentionally. I like the result.
Mercury 4x5, 47mm XL, TMX, FX-39:
Taking my 8x10 to somewhere the sun actually shines can be interesting. I'll be looking at the GG and the image slowly disintergrates as steam builds up in the bellows. I have to take the lens and back off to air it out. When I have not caught it, the results are less than yours, Bryan.
"Landscapes exist in the material world yet soar in the realms of the spirit..." Tsung Ping, 5th Century China
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