iThankYou
Bryan, I like this image too. Your recent images are starting to show a very clear "Bryan Image" style which I am really enjoying.
Pali
Yes but it's more that just that. Things that jump out to me is your use of extra wide angle lenses and from low to high perspective which bring out appealing characters from the trees and such. There is also a sort of feel that you bring out simplicity in otherwise very busy scenes.
And of course the fact that they are all nice images
Thanks Pali, I am appreciative of this analysis! I have heard similar thoughts regarding "busy" scenes (which is pretty much everything down here) and that is certainly the hard part!
Been printing a ton of work in the darkroom this past month. Next Saturday, the 27th, I'm showing work along with two other artists and friends at an event sponsored by a local river conservation coalition. A portion of the sales from this event are going towards their activities to help map and conserve the Withlacoochee River, which all of my 10 photos are from.
Here's two prints freshly matted about to be put into frames. 11x14 prints matted to 14x18, Fomabrom 112 FB Matte paper, developed in Neutol and selenium toned, all enlarged from 4x5 negatives, TMX and TXP.
They look great, Bryan.
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
I probably should have added that this is a crop from 4X5 film.
Here is one more from my trip to the Beartooth Mountains and Yellowstone this past fall. It was taken on a morning that was absolutely still. Something that all LF camera users greatly appreciate and covet. On this sunrise image I had been hoping for some clouds for the sunrise, but as you can see, it was absolutely cloudless. However the dawn glow was intense and beautiful and the lake calm. Taken with a 210 Graphic Kowa on 8x10 Velvia 50.
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