Yashica Electro 35 by rrunnertexas, on Flickr
Yashica Electro 35mm on Kodak Tmax 400 film.
Yashica Electro 35 by rrunnertexas, on Flickr
Yashica Electro 35mm on Kodak Tmax 400 film.
Incoming Storm, Lake Lanier Powerhouse
Contax I(f), 21mm f/4.5 Zeiss Biogon, TMX, HC-110:
Chased this storm a little and found these powerlines leading from the main power substation at the Lake Lanier Dam. Decided to take my old Contax I out for a spin. I don't shoot it a lot because it's a pain in the ass and a finicky camera but it is fun when it works. Here's one more from the day before, after a little rain storm, deep in the woods:
There are times when I really wish I had a big camera. But sometimes, iPhone has to do.
Rick “and then the clouds rolled in” Denney
Consistent and recognizable good photos guys that show your trademark styles.
Shooting from the hip with the D600/Sigma35art:
_DSC0488 by Jason Philbrook, on Flickr
Two stitched together for a sort of Eliot Porter large format look.. (35 wide open x2)
_DSC0507-Pano by Jason Philbrook, on Flickr
Attachment 178565
Blue Jean Buddies, or Late Night Out
Lazienki Krolewskie Park, Warsaw (2011)
Leica M9, 50mm Summicron
... JMOwens (Mt. Pleasant, Wisc. USA)
"If people only knew how hard I work to gain my mastery, it wouldn't seem so wonderful at all." ...Michelangelo
Algoma Lighthouse
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
For sure. I've found that it's very hard to shake off the prejudice that smooth and sharp is always superior. I'm sure for me, this is a holdover from studying a lot of f/64 School type photographers when I was starting out. It's not that smooth and sharp big negatives don't have a certain power, just that there are other roads to go down, other ways to try and express yourself. Not that I need to tell anyone here any of this! But, yeah, old habits are hard to throw off.
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