Looks like this is possible after all:
... explains some techniques for using FP-100C Instant Film for creative printmaking doing Emulsion Lifts and Emulsion Transfers.
http://www.insideanalogphoto.com/ins...nstant-film/10
Looks like this is possible after all:
... explains some techniques for using FP-100C Instant Film for creative printmaking doing Emulsion Lifts and Emulsion Transfers.
http://www.insideanalogphoto.com/ins...nstant-film/10
Thanks for posting this info. There have been threads in various forums about experimentation with the Fuji emulsion lifts & transfers and this is a welcome addition.
A few months ago I tried lifting the emulsion, it works but it's very very fragile. At least it's possible.
Peter Balazsy has an explanation of how he does them here:
http://www.flickr.com/groups/polaroi...7603906450061/
"There are two dirty words in photography; one is 'art', and the other is 'good taste'." - Helmut Newton
I have a PDF that Fujifilm briefly posted about how to do this. While I have done many Polaroid manipulations, I still have not successfully accomplished a Fuji manipulation. At whatever point I do, then I will start exhibiting those. Unfortunately, the specific uniqueness of my Polaroid 690 transfers is something I think will not be repeated by me once that film is gone, as I suspect the Fuji FP100C to create another unique look.
Ciao!
Gordon Moat Photography
"There are two dirty words in photography; one is 'art', and the other is 'good taste'." - Helmut Newton
Hi,
Reviving an old thread.
I have just been trying this process and it seems to me that the gelatin is ‘crazing’ quite easily, even in cold tap water. It’s an effect that can be felt on the underside of the print once it is removed from the backing and it is also visible. It kind of has the look of reticulation, Has anyone else noticed this and have any tips for the prevention of it?
I've just noticed that the effect is visible in the Fuji PDF above.
Jon
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