Lovely bakery, lovely silos, among other lovely things...
This one from the Arca Irish 8x10,
I didn't really put it together to use it for architecture, but...
Pumping Station, Clontarf, Dublin, by Tom de Paor
Scanned from negative-
Lovely bakery, lovely silos, among other lovely things...
This one from the Arca Irish 8x10,
I didn't really put it together to use it for architecture, but...
Pumping Station, Clontarf, Dublin, by Tom de Paor
Scanned from negative-
Hi there,
a few pictures of mine, all of them taken in Warsaw, Poland, with my ShenHao 4x5", film was either wephota np22, fomapan 100, or ilford hp5. thanks for the comments,
Didn't know here i should post this... i have bee trying this colour thing, seems they invent allkinds of things these days. Who knows, maybe they will someday make a camera that works without film.. , that'll be the day.
After 6months of shooting colour, i'm finally getting the developing part right! It's been horrible to shoot completely blindfolded all this time.
Childhood thing, from our summerhouse. Time seems to freeze in these places.
Mission San Jose, San Antonio Texas.
Zone VI, 90mm f8 Nikkor, Tri-X. Short exposures (30th?)
Drew Bedo
www.quietlightphoto.com
http://www.artsyhome.com/author/drew-bedo
There are only three types of mounting flanges; too big, too small and wrong thread!
Here's a few of my favorites from the last few years. They were all shot 4x5. I just upgraded to 8x10, by the way, and am loving it even more than that "small" negative I used to call large format
Here's a few shots I did yesterday with a 4x5 pinhole camera I made. It's a 50mm focal length with .3mm 'skink' laser cut pinhole installed. Film was TMY-II souped in pyrocat HD
Hughes pumphouse, Moonta copper mines, South Australia.
Linhof V, 150mm Symmar, FP4+
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