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Thread: More LF in the New York Times

  1. #1

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    More LF in the New York Times

    The times has been printing a series of photographs by Fred R. Conrad on Wednesdays that were taken with a large format camera.

    http://cityroom.blogs.nytimes.com/category/lens/

    The images show the full negatives with borders. If you look closely, you can see Acros notches on a few of the images.

  2. #2

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    Re: More LF in the New York Times

    That's a really nice series. Thanks for bringing it to our attention.

  3. #3

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    Re: More LF in the New York Times

    Great images. The notch code is the same as my Efke PL 100 as well.
    *************************
    Eric Rose
    www.ericrose.com


    I don't play the piano, I don't have a beard and I listen to AC/DC in the darkroom. I have no hope as a photographer.

  4. #4
    3d Visual Effects artist
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    Re: More LF in the New York Times

    the single large rounded dimple, that's what the pack of velvia 50 looks like that I just purchased? I guess some manufacturers overlap, haha!
    Daniel Buck - 3d VFX artist
    3d work: DanielBuck.net
    photography: 404Photography.net - BuckshotsBlog.com

  5. #5

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    Re: More LF in the New York Times

    Fred's always worth look at.
    When I grow up, I want to be a photographer.

    http://www.walterpcalahan.com/Photography/index.html

  6. #6

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    Re: More LF in the New York Times

    Quote Originally Posted by Daniel_Buck View Post
    the single large rounded dimple, that's what the pack of velvia 50 looks like that I just purchased? I guess some manufacturers overlap, haha!
    The Velvia notch is closer to the edge of the film than this one.

  7. #7

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    Re: More LF in the New York Times

    Great shots. thanks for the notice. It's nice that this is getting some press!

  8. #8

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    Re: More LF in the New York Times

    Quote Originally Posted by Pete Roody View Post
    The times has been printing a series of photographs by Fred R. Conrad on Wednesdays that were taken with a large format camera.

    http://cityroom.blogs.nytimes.com/category/lens/

    The images show the full negatives with borders. If you look closely, you can see Acros notches on a few of the images.
    Very cool!

    Don Bryant

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