Since variable contrast papers have one emulsion which sees blue light and the other
green, a sharp-cutting blue 47 (or 47B) or green 58 (or 61) will cut off the other half
and work precisely with only one emulsion component. You can either use a filter turret
under the lens or just screw the filters onto the lens if your enlarger is stable. Only two
filters are ever needed, and camera filters will provide a much cleaner optical path than
Rosco filters, and hold up better. I use Tiffen filters, which certainly aren't my favorite
filters in the field, but work fine in this instance, provided they are routinely cleaned.
The blue filter is denser and will require a bit longer exposure than the green, but this
differs a little from paper to paper. I don't even think about it anymore since it has
become almost instinctive, and as I mentioned before, the result is the same as if I used one of the colorheads instead. For just two filters, the investment is negligible.
With my coldlight the printing speeds are very fast.
Bookmarks