That is simply gorgeous, Bryan! It would make for a fine print, digital or wet! I'd personally make a whole slew of prints from a negative like that one, including some contact prints.
That is simply gorgeous, Bryan! It would make for a fine print, digital or wet! I'd personally make a whole slew of prints from a negative like that one, including some contact prints.
Wonderful image Bryan (Corran). Well worth the time imho
Wow Bryan! That is a spectacular image that indeed deserves to be printed in the darkroom.
Pali
4x5 contacts have a special feel to them; they're no substitute for a large print, but entirely worthy of existence on their own accord!Originally Posted by Michael Lloyd
Artisan!This is a shot I've been meaning to do for a while. These two trees are massive Live Oaks situated in a large field all by themselves several miles out in a Wildlife Management Area that I hike at often. Since it's far out it's often a gamble whether the light will be any good and oftentimes rain will wash out the trails making it difficult to go. Anyway, a few months ago I went into the mass of tree and found it quite engaging. I knew a super wide-angle would be perfect for such a photo. It was a cloudy day but right when I got here the sun came out for about 30 minutes, so I got lucky.
It was really hard to shoot because it was so contrasty with the extreme backlighting. I might print this in the darkroom.
Chamonix 45n1, Schneider 45XL, T-Max 100, Acufine:
Top photograph!
Tom Keymeulen
Nice. What lens are you using? I'm interested to know which ones can be shot into the sun without massive flare issues.
5x7 Wephota NP15 in Pyrocat M. Makes a very nice print.
300 Fuji c
David Cary
www.milfordguide.nz
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