post your trees!

[jcoldslabs]

Thanks. I know the whole Aero Ektar tilt/swing thing has been overdone, but I'm still trying to keep it as fresh as I can. I can't help it, trendy or not I love the Burnett combo!

[Vaughn]

Branches of some short scrubby sort of tree of the dunes and swamps just north of Humboldt Bay.

16x20 Silver Gelatin Print from 4x5 film

[jcoldslabs]

Taken a few nights ago at 3 A.M. a block from the house. Cold, cold fog!

Pacemaker Speed Graphic
Kodak Aero-Ektar 178mm
Ektachrome 100S 4x5 expired 1998

[jcoldslabs]

...and taken tonight. Speed Graphic, B&L 4.25" Cinephor, Fuji FP-100C (expired).

Happy holidays everyone!

[Marvin d martian]

Out this afternoon just playing about.

[IMG] Tree by Marvin d martian100, on Flickr[/IMG]

MPP 4x5, 210 5.6 lens developed in Caffenol C-M.

Mart

[KJ Smith]

Sequoia NP

PTB45
135mm
TMX/Tmax dev.

Attachment 65230

C&C always appreciated.

Kevin

[jcoldslabs]

Marvin,

Great results from Caffenol! Do you have a secret or any tips to share? I keep meaning to make the move to Caffenol but am still married to my HC-110.

Jonathan

[SamReeves]

Velvia 50 goodness. Shot with Nikon 90mm f/8:

Fantastic lighting conditions. What a great chrome.

[jcoldslabs]

I hope this counts. This was shot from a bridge over the river in downtown Spokane, WA. I didn't have a long enough lens to frame up the scene the way I wanted so I resorted to using my Horseman 6x7 roll back instead. Shot with a large format camera, yes, but not on LF film.

Toyo 45A, Rodenstock 210mm, Velvia 50.

[Edwin Beckenbach]

4x5 Portra 400 cropped to 4x4, 135mm Sironar-S, f22 1/3, 1 hour.

I was really guessing on the exposure for this. The scene was lit by 2 street lights, one 75 feet to the right and one over 200 feet behind camera. It was very dim and I couldn't get a spot reading even off the white guard-rail. The negative turned out very thin so I'm hoping to redo this one either with a 4 hour exposure or with an assist from the moon.