I agree. The vertical streaking patterns in the bokeh create a sens of movement while the focused rudbeckia is still as stone. Very cool effect.
Mel-
It dances.
Just testing my half dark slide.
Shen Hao PTB 4x5, 150/9 G-Claron, Delta 100, half dark slide
Thank you Jim.
I look to shoot flower details in shade or moderately overcast light. Its even better if I can find some direct light bouncing back in from something nearby.
In this case I found these columbines in a shaded nook. The camera was just outside the shade, so I had full sun available to bounce back in. I used the white side of my darkcloth to bounce some light from camera left.
The previous alpine forget-me-not image was shot in light overcast in the afternoon, so it was like a giant softbox at about 45 degrees. I had seen them near my tent site earlier in the day and knew I wanted a shot if the opportunity presented itself. When the light was right a little later, I went over to shoot them.
The rest comes down to roughing in the adjustment for bellows extension and choosing the exposure correctly.
Mel-
Mexican Daisy after morning rain
Klaus
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/ for UV Images and lens/filter info
http://photographyoftheinvisibleworld.blogspot.com/ my UV diary
4X5 Graflex Super D Expired Provia 100F 1/400 @ f6
Nice^
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