I'm going to start a website that sells dark emo artist's clothes, tall black boots, eyeliner, etc.
I'm going to start a website that sells dark emo artist's clothes, tall black boots, eyeliner, etc.
Toyo 45C / Rodenstock 150 5.6 / Fujifilm FP100C-45 film
Three Sunflowers, C-1 8x10, Fp4+, PMK
Chris, I could absorb your still lifes for days. I'll bet the prints are really nice.
Here is my contribution... No stitching this time Long exposure with moving water says 4x5 was better tool for the job Captured yesterday at Slide Ranch in Marin County, California.
Shen Hao 4x5, 90mm f8 Nikkor, 10 stop neutral density, 50s @ f22, TMAX 100, EI 64, D-76;1:1;68F;11m
Thanks Alan, nice seascape!What time of day was it?My stitching days are over.Drives my wife nuts seeing me work on the same image for 8 hours (me too)
That was the last shot of the day a little past low tide at 10:30 AM.
Given the right situation, stitching works very well for me. I can stitch and HDR a 4x2 in about 20 minutes which compares well to development and scanning for 4x5. Just a 4x2 stitch (no HDR) is pretty automatic with CS3. But I wont be posting any here as it seems to piss a lot of people off:0
Here is a weird one from yesterday. I was playing around with a pinhole and got this one while shooting into the sun at a low angle. I guess it is just flare, maybe someone can explain what is going on in this one. It is a very interesting effect.
Shen Hao 4x5, .012" pinhole at 75mm, 11s at f246
Here is my contribution ... 5 x 7, Ilford FP-4, Pyrocat-HD, Schneider 210 mm, Orange filter. Taken on a windy day in October 2005. Many bright yellow leaves about having been blown off the trees all afternoon. Location is Rockhill Furnace PA.
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