Results 1 to 7 of 7

Thread: Infrared Light Source and Film

  1. #1

    Infrared Light Source and Film

    After reading a similar post over at APUG, I began thinking about darkroom work with night vision equipment.

    I have been using an infrared monocle for some time in the darkroom and while I was assisting someone in the darkroom get acclimated to it recently, I noticed that there is a small green glow of light about the rear eye piece. On the same subject, my infrared light source on the monocle emits a small red glow as it produces the infrared light. A wall mounted infrared light LED emits the same red glow as well.

    I believe that the green stray light from the eyepiece could fog film so I feel that I need to contain this stray light from reaching the film. That is easy enough to do. My question is concerning the red infrared light. Could it also fog film or am I concerned about nothing.

    Any physicists out there? I guess I could do some tests but I have been rather busy lately and wanted to try the easier route.

    Thanks in advance.

  2. #2
    windpointphoto's Avatar
    Join Date
    Aug 2004
    Location
    Racine, WI
    Posts
    259

    Infrared Light Source and Film

    Good grief, what does something like this cost?

  3. #3

    Infrared Light Source and Film

    I have been 6-8 " away from negs as I inspect during DBI for as long as 15 sec, more than once in the same spot during development. Fp-4 in pyrocat. No negative effects. My unit has an LED source on it so it's that close also. I have had no fog from loading film from the green. I keep the reticle right up next to my eye. I would not recommend using glasses with them as it might have the unit out far enough to cause a problem. Just a guess but I would think it might be below threshold anyway. There is no need for glasses as you focus unit anyway. Have you had any thing in your process that gives rise to this concern? Somthing for me to look out for?

  4. #4

    Infrared Light Source and Film

    The cost has dropped to several hundred dollars per unit, but the benefits are many particularly during development by inspection (DBI).

    I have not encountered any specific adverse effects John with using these devices, but the engineer in me seems to want to make damn sure that the base fog does not kick up even slightly. I realize that even a low wattage green safelight could have the same effect with the conventional methodology. Assumning a conclusion has its risks and with the cost of ULF film I just want to eliminate any operating variable to the degree possible.

    Guess I will run a few sheets of 4x5 with and without and do some density measurements.

    The next alternative I will try is to leave the battery power off of the light gatherer and the IR source completely and use an external panel IR source. The monocle works just fine with this external source of IR.

    Cheers!

  5. #5
    Moderator Ralph Barker's Avatar
    Join Date
    Sep 1998
    Location
    Rio Rancho, NM
    Posts
    4,779

    Infrared Light Source and Film

    I don't use one, Michael, but it sounds like the on-board IR source is also emitting some near-IR visible-spectrum light. As such, wouldn't the potential effect of that depend on the film's sensitivity curve? That is, films with extended red sensitivity might show some fogging effect, while other films probably wouldn't.

    You might tape a small section of an IR filter gel over the on-board source to reduce that risk.

    Leakage from the green glow of the internal display, however, would make me nervous, too, particularly at the distances involved with DBI. Gaffer's tape might work for that, but watch out for your eyebrows. ;-)

  6. #6

    Infrared Light Source and Film

    You might try filtering the IR sources to remove the visible red component. By selecting longer wavelengths outside of the film's spectral sensitivity, brighter illumination with no risk of fogging may be possible. An IR filter or black exposed and developed Ektachome film may be used for a test to see if the night vision unit responds to the attenuated source. If you want to use film for a test, give it a very small pre-exposure to zone 0 or 0.5 to sensitize it without adding significant fogging that could mask a small amount of fogging from the IR source.

  7. #7

    Infrared Light Source and Film

    Michael,

    I have exposed a half open film holder with containing FP4 to the IR light of my nightvison scope for 30 seconds from 1 foot away (I forget the model, but it's likely the one you have - got it from the Ebay seller). No fog whatsoever after development. Most films seem very insensitive to the wavelengths from this IR LED. I also worry about the green from the backside and am careful to keep it covered. Also, I'd be careful about looking into the IR light with my eyes. It's likely very powerful and IR can damage eyesight without us realizing it.

    Linas

Similar Threads

  1. Using new style thin light table as light source
    By Eric Rose in forum Cameras & Camera Accessories
    Replies: 4
    Last Post: 21-Jun-2005, 21:32
  2. Basic books and infrared light
    By Sheldon Crook in forum Style & Technique
    Replies: 4
    Last Post: 6-Nov-2004, 19:42
  3. Filmloading with infrared light ???
    By David Richhart in forum Darkroom: Film, Processing & Printing
    Replies: 2
    Last Post: 14-Jan-2002, 20:30
  4. Film Changing Bags - Are they Light Tight for Infrared Film?
    By Andre Noble in forum Cameras & Camera Accessories
    Replies: 2
    Last Post: 9-Sep-2001, 12:47
  5. uv light source
    By doug_1256 in forum Darkroom: Film, Processing & Printing
    Replies: 5
    Last Post: 19-Oct-2000, 23:24

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •