If it works for you, great. But to me this seems like a path to disaster (in the form of double exposures). I always load film in the darkroom with the white side of the pull tab facing out (means "unexposed" to me). When I make an exposure in the field, I flip the darkside so that the black side of the pull tab is facing out (which means "exposed" to me). Working like this I've never had an unintentional double exposure.
I'm with the people who block direct sunlight from the light trap by hands/hat/head/body/whatever shadows. Since I started doing that (after having to diagnose a light leak of course) I've had very few light leak problems.
Besides, if I didn't pull the darkslide, what would I use to shade the lens?
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