And, by the way, you're crazier than Mr. Bean if you think you can possibly put a true circular fisheye lens on a 4x5" camera! You'll just be wasting your time and money, not mine -- IMHO.
http://www.subclub.org/fujinon/gonefishin.pdf
Last edited by xkaes; 15-Sep-2017 at 04:33.
Gee and I thought we were talking about enlarging lenses!
I may be just a noob, but I use a Rodenstock 150mm on a Durst 138s, and it works fine.
Does it fall-off in the corners? Not that I could tell. But I only print up to 11x14.
My mistake. I thought we were talking about tractors!
Light fall-off happens with enlarging lenses too -- especially the ones marked, "W", "W.A.", etc. or are shorter than you would expect. That's one of the reasons some use lenses longer than you might expect, like a 150mm for 4x5" vs a 135mm lens. It occurs no matter what size print you make, but the original poster wants to make prints larger than 20x30" without going horizontal.
I considered using a 240 G Claron to enlarge 8x10, but even wide open at f/9 it is pretty dim on an enlarger.
If you've got one, give it try.
I found that for my use, Copy Paragons are excellent performers as well as being quite a bit faster and far less expensive.
"I would feel more optimistic about a bright future for man if he spent less time proving that he can outwit Nature and more time tasting her sweetness and respecting her seniority"---EB White
Why not try reversing a 'taking' lens such as a 150mm Apo Sironar or 135mm Fuji-W or 110mm Symmar-XL... or whatever you have on hand? It can't hurt to try. Reversing a taking lens should (I think) make an excellent mural enlarging lens.
You are absolutely right that I have no experience with the WA 120mm. I'll have to trust you on the other part, since all I have is a 135mm Fujinon EX and a 150mm G-Componon -- so I have no reason to "try out" the WA 120mm, anytime soon.
But the original question was about a wider lens for 5x7 -- and the Rodenstock literature lists the WA 120mm for 4x5".
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