At the recent Stephen Shore show at Houk Friedman gallery in New York, the work was framed with better looking glazing than I've ever seen. It seemed invisible ... no aparent color cast, and practically no glare. And none of the image-killing frosted appearance of regular non-glare glass. When I tried to catch glare from the lights in the glass, I saw faint multicolored reflections, just like on the surface of a multicoated lens.
Any idea what this stuff was?
I wanted to ask the guy working there, but he was glued to someone who looked like they had money.
Bookmarks