Its actually very easy to get the back correct. Put it all together before cutting the glass rebate. Stick in a filmholder with a piece of scrap film inside. Turn it over and put a straightedge across the back. Take a combination square, set it on the straightedge and extend the ruler until it just touches the film. Check it all around to ensure your holder is seated parallel to the back. If it is, the distance on the ruler is the distance to the ground face of the glass. Remove the holder and use the straightedge and combination square to mark the inside faces of the ground glass frame, and this is the depth you need to cut from the outside to ensure the ground face of your glass is aligned with the film plane.
Some builders have been buying rods similar to those used on the Chamonix cheaply from ebay. There was a thread about it, but I don't recall the name. For mine I am trying to use rack and pinion gears, but they are hard to find cheap, and if I had had a Chamonix to copy that seems like an easier and more economical design solution.
The secret to perfection is the clutch. Without it you turn the rod forever before you are in the field of focus for your lens. Of course, you can do a rough pre-focus if you are familiar with your subject to save turns on the rod, but a clutch mechanism (like alligator clips you squeeze to open, but when closed ride the rod's threads) would be best. I may experiment with that...
Sounds correct... I'll have to get to work on it. The spring clamp is probably going to have to be either an electrical or an automotive part, I guess, for starters.
How about something like this? http://www.homedepot.com/p/HDX-3-4-i...-100656782-_-N
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