That is one of my favourite Shpongle songs
www.youtube.com/watch?v=U09xs0-bAGo
I don't know what it means to leave no turn unstoned, it just makes no sense to me. Leaving no stone unturned connects to the physical, the other phrase, well, is a mystery to me,
The song did not help, LOL, even though I read the lyrics, which seem to indicate the meaning of a search that does not leave any stone unturned.
I think it might also be hinting at taking no direction without being inebriated
How these respective films look under a high-powered loupe and how they actually render detail in a print are two different things. And it depends on your developer. I bought into that whole "watercolor" grain thing of HP5+ with pyro stain, and successfully ran with it quite awhile. Under a loupe, the grain is pretty mushy; but in print there tends be exceptionally good edge acutance, so the prints come out looking very crisp, at least from my 8x10 negs printed to typical 16x20 or 20x24 size; in other words, up to 3x enlargement or so. Doing prints that size from 4x5 HP5 does reveal a minor bit of mush. TMY-2 is a very different animal, with a different look in print and a very different characteristic curve. These are distinctions which I consider far more important than nominal fineness of grain, at least for sheet film work. Sometimes a finer-grained film actually looks less sharp in print. There are lots of variables, and I'd hate to lose either of
these excellent films.
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