That's really good for a 10 seconds pose.
That's really good for a 10 seconds pose.
Thank you very much. I was really afraid to be not able to take a single acceptable picture. During that kind of festival of historic and alternative techniques and process. In that place there was original prints framed of the most interesting and important photographer )Ansel Adams just to say one) but i was so busy with my camera and my paper that i did not have the possibility to appreciate anything of that.
Originally Posted by mathieu Bauwens
Brescia (BS) Italy - Series of portrait taken on IMAGO Positive Paper during the FotoTrace 2014. In this picture from the left Luisa Bondoni of the Photography Museum of Brescia, Paola Guerriero the artist that made the painted background, Cristina and Valeria Arena. This is one of the few acceptable picture that i took during the event. I had to scan with the picture inside the chassis because it is extremely glossy and on the glass of the scanner it generate a terrible effect.
Padua (PD) Italy - Series of portrait taken on IMAGO Positive Paper during the Vintage Festival by I-Fotocellula. This is the portrait of Martina Zanarini and was taken by Samuele Piccoli. I had to scan with the picture inside the chassis because it is extremely glossy and on the glass of the scanner it generate a terrible effect.
- Camera: Stenopeika 5x7 Tailboard
- Lens: Dallmeyer (Soft Focus) 2B 210 1:3
- Exposure: about 1 second at f 3
- Film: IMAGO Positive Paper - 3-6 ASA - size 5x7"
- Developer: ILFORD PQ UNIVERSAL 1+14 - 3 minutes at 23° C
Padua (PD) Italy - Christine wearing a Mask. The paper is really hugely. I don't know what happeded but the paper gate some light before it was loaded in the chassis. I loaded this paper in an hotel bathroom and probably it was not perfectly dark.
- Camera: TOYO-FIELD 45 AII L (Linhof)
- Lens: Voigtlander Heliar 210 1:4.5 in Compound shutter
- Exposure: 2 seconds at f 4.5
- Film: IMAGO Positive Paper - 3-6 ASA - size 4x5"
- Developer: ILFORD PQ UNIVERSAL 1+9 - 2 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER
- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: One continuous Light
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS4
Padua (PD) Italy - Christine wearing a Mask. The paper is really ugly. I don't know what happened but the paper get some light before it was loaded in the chassis. I loaded this paper in an hotel bathroom and probably it was not perfectly dark.
- Camera: TOYO-FIELD 45 AII L (Linhof)
- Lens: VOIGTLANDER Heliar 210 1:4.5 in Compound shutter
- Exposure: 2 seconds at f 4.5
- Film: IMAGO Positive Paper - 3-6 ASA - size 4x5"
- Developer: ILFORD PQ UNIVERSAL 1+9 - 2 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER
- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: One continuous Light
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS4
I found Imago paper in Shanghai, China! Will buy a box of 8x10 and shoot some next time i go to photo market.
DO you rate your paper rather as 3 or 6 ISO (after the preflash)?
And one silly question - how long can you keep a shot undeveloped after the shooting?
picked up a box of this in Berlin last week, in 4x5 size.
I'll take all the advice at heart and see what I can come up with, using it in a home made 4x5" sliding box camera with an old ±180mm brass petzval lens
Anyone know a US distributor of this paper?
The photograph and the thing being photographed are not the same thing.
Not sure there is a US distributer. I get mine from Maco Direct. macodirect.de
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