Equivalence: The Perennial Trend

[Randy]

I see a charging bull?

[DaveF]

Indeed! A sort of homage to work by both Minor White and David Ward.

[jp]

The second, with broken greenhouse glass as subject, is part of my growing 'Traces of Botany' series, taken more recently:

Linhof Technikardan S45, Nikkor W 210mm f/5.6
Fujichrome Velvia 50
340mm bellows,
19mm front shift left and 3mm rear shift right for composition,
6º front tilt, 19mm rear rise
17" f/32

Super nice. Color is harder with this subject of equivalence, but you've made it work.

[DaveF]

Thanks!

[DaveF]

Thanks, yes. Has to be said that I'm relying on simplification here. The richness of Velvia colour helps too.
The 'bull' image was a bit of a fluke (a lucky spot, esp. as I had to rotate the scene 90º), though I knew from some researching that I was in a 'target-rich environment'. The broken glass shot comes of extreme familiarity with a specific location, i.e. you've explored basically almost every inch of a place over a number of years, and see it change.

[Miguel Coquis]

Refreshing oneself, trying to re-discover aliveness through camera work.
This is one from "les Vaux de Cernay" near the abbey (XII century) of same name.

[Mark Sampson]

Nicely done, Miguel.

[Joe O'Hara]

Lebanon, 2019.

[Tin Can]

Atomic Bomb by TIN CAN COLLEGE, on Flickr

[Joe O'Hara]

This, I suppose, might be one of those "black light" bulbs I heard about in the 60's?

Neat picture in any case.