OK. My error. I got the roles of the components reversed.
Sorry.
- Leigh
OK. My error. I got the roles of the components reversed.
Sorry.
- Leigh
If you believe you can, or you believe you can't... you're right.
This is an important distinction that, I think, too many people gloss over or completely fail to grasp. There is a big difference between a a true two bath / divided developer and (some variant of) D-23 followed by an alkaline after bath. The latter cannot really be considered a divided developer. When the first bath is (some variant of) D-23 development very definitely takes place in the first bath. It is for this reason that I think it incorrect to call Stoekler's, the Leica two bath and Thornton's divided developers. These are really just D-23 with an alkaline after bath.
Does it follow that in a true 2 bath developer, in the second bath, agitation is more or less irrelevant, and that timing (duration) should be done to exhaustion; the exhaustion of the reducing agent? Or would agitation be done simply to avoid unevenness of reduction?
Bill
The most important requirement of the second bath is that there is good agitation for the first 30-45 seconds. After that, it does not seem to matter very much how you agitate, if at all. Regardless of agitation method shadow density will increase for three or four minutes in the second bath. After about four minutes, however, the film may begin to stain so prolonged time in Solution B serves no purpose, and may be harmful to image quality.
Sandy
For discussion and information about carbon transfer please visit the carbon group at groups.io
[url]https://groups.io/g/carbon
Thanks Sandy.
Bill
Now that everyone is on the same page for how divided development works, here's a question. Since the shadows have an abundance of developing agent (A), does that agent diffuse out into (B) and allow some slight further development of the highlights?
I think this could be rather simply tested... Shoot a scene with a small highlight in one corner and the rest very dark. Then move the camera so that the bright highlight is most of the scene. The two highlight areas should be the same density when developed (assuming that both negatives originally imbibed the same amount of B, and that sufficient time is spent in B to allow for the possibility of diffusion).
AndI too am curious to hear about how people print (optically) these compressed negs.
One point in developing negatives is that times are based on negs with "average" overall density.
Processing a neg that is predominantly dense or thin may require adjustment of development time or method.
Perhaps you mis-understand the purpose of compensation.
It's used to retain detail in highlights that might otherwise blow out.
A compressed negative should print normally on grade 2 paper, unless other factors are present.
- Leigh
If you believe you can, or you believe you can't... you're right.
Yes, two-bath developers would likely not require adjustments.
My error. I was thinking in broader terms, not considering the thread title.
- Leigh
If you believe you can, or you believe you can't... you're right.
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