+1, very nice Peter! I like the wind chimes blurred by wind.
My Efke IR820, 4x5 sheets, have all started to go splotchy and stuff. Sad day.
Some more Gold Rush Festival images, this time with my Pentax 67ii and 90-180mm or 400mm lenses:
Yesterday I experimented with using an old Canon G9 in manual mode as a light meter - the LCD shows the exposure changes as you adjust shutter and aperture, and it makes a nearly idiot-proof way of ensuring there's no clipping. But it does feel like cheating, so it's back to the Sekonic today. 500c, 150/4 plus ext. tube, XP2, HC-110, X1 scan:
Oranges by chrism229, on Flickr
Camp Forrest
Pali's 3d-printed 6x15 camera
TMY-2
DS-10
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
I'm teaching a class on a new campus this semester, and so I have a bit of a drive through the Wisconsin country side. Just outside of Forrest Junction, there's Camp Forrest. Originally, it was a religious summer camp, but now it's mainly used for weddings. http://www.whiteoakchapel.com/
There are a whole bunch of wooden buildings, some obviously cabins. It's a mix of well-kept, and not so much, including big shutters slamming open and shut in the breeze. I'm sure the Chapel is nice when it's open, but the rest of the grounds feel like it should be in a Stephen King novel.
I'm having a bit of a problem with my Gaoersi finder, as I expected quite a bit more on the left side of the picture. Knowing what framing I'll get is my biggest challenge with using the pano camera.
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
Yeah it looks like an interesting place to get that pano camera tuned up, Peter.
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